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KUSUNOKI AKIKO

… The issue of boy actors playing female roles in English Renaissance drama has been widely discussed in recent years; … the boy heroine's sexual ambiguity, in both homoerotic and androgynous terms, has been much explored, particularly in the case of female characters in male disguise. …

Essays and studies in British & American literature 53, 61-74, 2007

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森岡 ハインツ , 佐々木 みよ子

… The actor walks talking and gesticulating around the stage and arrives in a moment at his destination. … A boy falls asleep on a magic pillow. …

Sophia linguistica : working papers in linguistics 54, 67-96, 2006

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MORI Yoko

… Later the client's boy friend who was a "side actor" became a "main acctor" to support her. … On account of "holding environment" which was made of her parents, her sister, her boy friend, the counselor and other people, she could gradually overcome "abandonment depression" and acting out. …

The Japanese journal of psychological science 22(2), 9-26, 2001-10-30

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ONO Yoshiko

… The disguised heroine as witty, eloquent, and beautiful boy who is erotically alluring to another female figure in the play reveals in the final act the female body in the female clothes to celebrate her own marriage to a male superior. … The taking of female parts by boy actors should not be dismissed as the convention. …

English review 15, 57-71, 2000-12-20

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Tsuji Hideko

Asphodel 29, 1-21, 1994-07-21