Mindful Masquerades

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In 1897, a young man with very "shapely legs" skipped across stage at the Columbia Theater in San Francisco. The Chronicle's theater critic described the play, Devil's Auction, as "capital entertainment," especially since the young man, in fact, was a woman. Gender impersonators in the first quarter of the twentieth century appeared as popular theatrical specialities across the country, and San Franciscans joined the nation in their appreciation of these performances. Yet, in addition to traversing genders, other forms of masquerade captivated city residents. ……

収録刊行物

  • 人権問題研究

    人権問題研究 4 47-69, 2004-03

    大阪市立大学人権問題研究会

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