〈ミサ曲ロ短調〉(BWV232)研究 : 象徴的表現の視座を基盤とする問題点の所在に関する概観的考察

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タイトル別名
  • ミサキョク ロ タンチョウ BWV232 ケンキュウ ショウチョウテキ ヒョウ
  • A study <Masse in H-moll> : general consideration on location of the point at issue basing on the viewpoint of symbolic wxpresion.
  • ミサキョク ロタンチョウ BWV 232 ケンキュウ : ショウチョウテキ ヒョウゲン ノ シザ オ キバン トスル モンダイテン ノ ショザイ ニ カンスル ガイカンテキ コウサツ

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抄録

This study follows my old ones on symbolic expression of J.S. Bach's music. To embody the subtitle of this study，I referred to the circumstances of coming into existence on <Messe in h-moll> in Chapter Ⅰ，and in Chapter Ⅱ，I arranged my ideas in the form of three clauses (1. a synthetic analysis of < Messe in h-moll > 2. the problems of parody on < Messe in h-moll > 3. the final philosophical and aesthetic consideration). As the aim of this study is the investigation of the location of the point at issue basing on the viewpoint of symbolic expression in the study of < Messe in h-moll >，so to speak， it carries a part of an introduction to the studies of < Messe in h-moll > in the future. Concerning the studies of < Messe in h-moll > in the future， I foresee the extending over a long period， because it is a work on a grand scale of Bach's later years and its circumstances of coming into existence is very complicated. Anyway， as for me， I schould like to continue this study little by little within the limits of my ability.

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