The Patoronage of HARA Sankei

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  • 原三溪の美術家援助
  • ハラ サンケイ ノ ビジュツカ エンジョ
  • 原三渓の美術家援助

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This　paper　is　about　Hara　Sankei（原三渓1867－1939），　a　wealthy　silk　trader　from　Yokohama　who　was　not　only　a　wellknown 　collector　of　art　but　also　one　of　the　few　patrons　of　Japanese　modern　art．　Moreover，　he　is　also　known　panicularily　as apatron　of血麺血（日本美術院），　the　Japan　Art　lnstitute． 　The　art　historical　studies　of　Sankei　have　made　rapid　progress　because　of　athe　discovery　of　some　new　documents　written by　Sankei　himself　including　the　record－（美術品買入覚），　which　is　a　precise　compilation　of　his　art collection　that　belongs　now　to　the　Sankeien　Hoshokai　Foundation（三漢園保勝会）． 　In　a　previous　paper　I　already　analyzed　the　collection　of　old　and　modern　japanese　art　by　Sankei　based　on　these　newly discovered　documents（×）． 　　In　this　paper　1　will　focus　on　Sankei’s　patronage　of　japanese　modern　artists　and　wou1．d　like　to　underline　that　he　was　their leadig　patron．　Moreover，　I　will　discuss　the　reasons　why　and　how　the　market　for遡（EI・本画），　Japanese　modern paintings，　broadend　that　time．

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