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<dc:title>少女雑誌における「少女ネットワーク」の成立と解体 : 1931〜1945年の少女雑誌投稿欄分析を中心に</dc:title>
<dc:creator>今田 絵里香</dc:creator>
<dc:publisher>日本教育社会学会</dc:publisher>
<prism:publicationName>教育社会学研究</prism:publicationName>
<prism:issn>03873145</prism:issn>
<prism:volume>70</prism:volume>
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<prism:startingPage>185</prism:startingPage>
<prism:endingPage>202</prism:endingPage>
<prism:publicationDate>2002-05-15</prism:publicationDate>
<dc:description>This paper aims to clarify the image of the girl among the new urban middle class, which had a great influence in society, using analysis of the image of girls that appeared in mass-consumption culture, and especially which arose in the girl&apos;s magazine culture. In our analysis of columns in a girl&apos;s magazine, we assumed that the interaction between the editors of the magazine and its readers constructed the image of the girl in the magazine. Specifically, the readers&apos; column of the magazine Shojo-no-Tomo from 1931 to 1945 was analyzed. The results are as follows. In the 1930s, a &quot;girls network&quot; among the readers was organized in Shojo-no-Tomo. Through this network, readers corresponded with each other in the columns and met at regular readers&apos; parties. The readers were united under the concept of girlishness, especially pureness, and for a concrete thirst for culture and arts. This girlishness, with its &quot;purity, &quot; was constructed in opposition to the &quot;dirty&quot; &quot;adults, &quot; and took precedence over adults. However, from the end of the 1930s, in the midst of the war, editors and the surrounding adults started to condemn &quot;girlishness, &quot; and in response, the girls themselves changed their image to one of &quot;Japanese girls&quot; who served the country with patriotism. However, the image remained one constructed against &quot;adults.&quot; Therefore, there was continuity between the &quot;girl&quot; of the 1930s and the &quot;Japanese girl&quot; of that era. The process of change during the War indicates two facts. First, &quot;girls&quot; came to be admired for their ability to work, and secondly, the idea of &quot;girlishness&quot; had become defective.</dc:description>
<dc:date>2002-05-15</dc:date>
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<dc:title>The Establishment and Dissolution of ;Girl&apos;s Networks; in Girl&apos;s Magazine : As Seen From the Readers&apos; Column of a Girl&apos;s Magazine in 1931-1945</dc:title>
<dc:creator>IMADA Erika</dc:creator>
<dc:publisher>The Japan Society of Educational Sociology</dc:publisher>
<prism:publicationName>The journal of educational sociology</prism:publicationName>
<dc:description>This paper aims to clarify the image of the girl among the new urban middle class, which had a great influence in society, using analysis of the image of girls that appeared in mass-consumption culture, and especially which arose in the girl&apos;s magazine culture. In our analysis of columns in a girl&apos;s magazine, we assumed that the interaction between the editors of the magazine and its readers constructed the image of the girl in the magazine. Specifically, the readers&apos; column of the magazine Shojo-no-Tomo from 1931 to 1945 was analyzed. The results are as follows. In the 1930s, a &quot;girls network&quot; among the readers was organized in Shojo-no-Tomo. Through this network, readers corresponded with each other in the columns and met at regular readers&apos; parties. The readers were united under the concept of girlishness, especially pureness, and for a concrete thirst for culture and arts. This girlishness, with its &quot;purity, &quot; was constructed in opposition to the &quot;dirty&quot; &quot;adults, &quot; and took precedence over adults. However, from the end of the 1930s, in the midst of the war, editors and the surrounding adults started to condemn &quot;girlishness, &quot; and in response, the girls themselves changed their image to one of &quot;Japanese girls&quot; who served the country with patriotism. However, the image remained one constructed against &quot;adults.&quot; Therefore, there was continuity between the &quot;girl&quot; of the 1930s and the &quot;Japanese girl&quot; of that era. The process of change during the War indicates two facts. First, &quot;girls&quot; came to be admired for their ability to work, and secondly, the idea of &quot;girlishness&quot; had become defective.</dc:description>
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