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- 川向 正人
- 東京理科大学理工学部建築学科
書誌事項
- タイトル別名
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- A STUDY ON GOTTFRIED SEMPER'S "SCIENCE, INDUSTRY, AND ART"
- ゴットフリート ゼムパー ノ カガク サンギョウ ゲイジュツ ニ カンスル ケンキュウ
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抄録
The purpose of this paper is to make clear the motive and process of Gottfried Semper's writing "Science, Industry, and Art"(1852) and the logical structure of this small book which has two groups of chapters; the first three and the second four. The motive for the former is to review the London Great Exhibition of 1851 which revealed the crisis of art brought about by the industrialization and mechanization. The motive for the latter is to make proposals for the reform of art education Henry Cole set forward after the Exhibition. Semper's critique and proposals are always based on that original idea of the infinite variety from four primordial motives, which he developed in "The Four Elements of Architecture"(1851). References to 'a practical guide to invention,' 'technical arts,' and 'style' show a new aspect of his theory toward "Der Stil"(1860-63).
収録刊行物
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- 日本建築学会計画系論文集
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日本建築学会計画系論文集 69 (583), 165-172, 2004
日本建築学会
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キーワード
詳細情報 詳細情報について
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- CRID
- 1390001204781800960
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- NII論文ID
- 110004659877
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- NII書誌ID
- AN10438548
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- ISSN
- 18818161
- 13404210
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- NDL書誌ID
- 7089414
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- Crossref
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可