一連の源氏物語絵を通してみた16・17世紀における寝殿造の理解とその変容要因 : 物語絵を通してみた近世における上流階級の住宅観に関する研究(1)

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タイトル別名
  • THE COMPREHENSION OF SHINDEN-ZUKURI IN THE 16^<TH> AND 17^<TH> CENTURY AND IT'S TRANSFORMATION FACTORS REPRESENTED IN THE IMAGES OF TALE OF GENJI PICTURE SERIES : A research on the upper class comprehension of residences shown in the narrative pictures in early modern period Part 1
  • イチレン ノ ゲンジ モノガタリエ オ トオシテ ミタ 16 17セイキ ニ オケル シンデンズクリ ノ リカイ ト ソノ ヘンヨウ ヨウイン モノガタリエ オ トオシテ ミタ キンセイ ニ オケル ジョウリュウ カイキュウ ノ ジュウタクカン ニ カンスル ケンキュウ 1

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The existing oldest Tale of Genji pictures were created in the first half of 12^<th> century. More pictures were created by Tosa School, Sumiyoshi School and Kano School in the 16^<th> and 17^<th> century and many of them are in existence. In this research, we aim to clarify the comprehension and yearning of upper class on Shindenzukuri through the images of Tale of Genji picture series in the 16^<th> and 17^<th> century. The architectural images of Tale of Genji pictures should have Shindenzukuri style of Heian-era, however, they had been transformed as responding to the residential style of the time that the image was created. The noble quality of Tale of Genji pictures was represented in the transformation of the style; Syoinzukuri that has blue-gold Fusuma-Shoji partitions to Sukiya-Syoinzukuri that has pale and delicate Fusuma-Shoji partitions. In the latter 17^<th> century, Shindenzukuri revival style was introduced to the images.

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