戦後沖縄における民謡歌手の変容

DOI Web Site 被引用文献1件

書誌事項

タイトル別名
  • Changes in the Performing Style of Minyou Singers in Post WWII Okinawa
  • センゴ オキナワ ニ オケル ミンヨウ カシュ ノ ヘンヨウ セダイ ベツ カツドウ スタイル ノ ヒカク オ トオシテ
  • A comparison of three generations
  • 世代別活動スタイルの比較を通して

この論文をさがす

抄録

This thesis is a study of the changes in the performing style of minyou singers in post WWII Okinawa, through an analysis of three minyou singers (Seijin Noborikawa, Sadao China, Syuken Maekawa). It examines their life history and musical activities, internal and external influences on popular music history in Okinawa and two activities and thinking of minyou singers in Okinawa. As to internal influences, three minyou singers regard very highly the inheritance of the style of musical activities. Most minyou singers in Okinawa emphasize developing their own skill between times and leaders. Moreover, as to external influences, Seijin Noborikawa has been active under the leadership of a producer from the Japanese mainland. Sadao China has been active comprehensively as a singer, songwriter and producer. Syuken Maekawa has only influenced people of Okinawan ancestry.

収録刊行物

被引用文献 (1)*注記

もっと見る

キーワード

詳細情報 詳細情報について

問題の指摘

ページトップへ