1990年代日本におけるHIV／エイズをめぐる 対抗クレイムのレトリック分析

DOI Web Site 参考文献1件
  • 竹田 恵子
    お茶の水女子大学大学院博士後期課程 早稲田大学演劇博物館GCOE研究生

書誌事項

タイトル別名
  • The Analysis of the Rhetorics of Counterclaim on HIV/AIDS in 1990's Japan
  • 1990年代日本におけるHIV/エイズをめぐる対抗クレイムのレトリック分析 : 古橋悌二の言説を中心に
  • 1990ネンダイ ニホン ニ オケル HIV/エイズ オ メグル タイコウ クレイム ノ レトリック ブンセキ : コ バシテイニ ノ ゲンセツ オ チュウシン ニ
  • ——古橋悌二の言説を中心に——
  • From the Discourses of Teiji Furuhashi (1960–1995) and Other “Male Homosexuals”

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抄録

Teiji Furuhashi revealed his HIV-positive status to his friends by “the letter” in October, 1992. This revelation started grass-roots movement in Kyoto, Japan. This paper investigates why though he let only about 20 friends know his HIV-positive status the letter sparked movements such as those associated with multiple identities that were not limited to the HIV/AIDS. In what way is the rhetoric of of Furuhashi's counter claim making unique? This paper suggests that Furuhashi's counter claiming had such an impact because it used a motif that problematized not only HIV/AIDS or male homosexuality and a rhetoric based on comradeship.<br>Furthermore, rather than identifying himself as a gay male homosexual, he identified himself as an artist. Therefore, this allowed movement participants to conflate intimate internal personal relationships and make rhetorical links among various sexual/gender identities.

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