書誌事項
- タイトル別名
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- On Robert Lepage: Mirror, Reflections, Theatre
- ロベール ルパージュ アルイハ エンゲキ ト カガミ オ メグル シコウ ニ ツイテ
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<p>Robert Lepage's theatre works are complex, being multilingual, multicultural, multidisciplinary, works-in-progress. They take the form of multiple body, which looks different according to the standpoint of our view. How can we get to the essence of his theatre, without falling into a partial and biased interpretation? One key concept is the mirror, not only as a physical object (almost always present on stage in his productions) but also as a structural principle. The present paper argues that the mirror, its image being splitting and doubling, provides Lepage with the starting point from which to construct his performance. It represents an essential part of the structure of his theatre, self/other oppositions, and even helps his theatre go further beyond the limit of such dichotomies.</p>
収録刊行物
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- 演劇学論集 日本演劇学会紀要
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演劇学論集 日本演劇学会紀要 39 (0), 207-220, 2001-10-20
日本演劇学会
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詳細情報 詳細情報について
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- CRID
- 1390282763077440768
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- NII論文ID
- 130007530815
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- NII書誌ID
- AA1173174X
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- ISSN
- 21897816
- 13482815
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- NDL書誌ID
- 6501424
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可