近現代の芸術における芸術と科学の「内的な相互作用」について

• デカマス ガブリエル

• 鈴村 裕輔[翻訳]

書誌事項

タイトル別名

• キンゲンダイ ノ ゲイジュツ ニ オケル ゲイジュツ ト カガク ノ 「 ナイテキ ナ ソウゴ サヨウ 」 ニ ツイテ
• About Art and Science's "Intra-Actions" in Modern and Contemporary Art

抄録

type:Article

In The Two Cultures (1959), C.P Snow argued that the intellectual life of modern societies was split into two cultures: science and the humanities. Yet, is this divide really so sharp? My presentation will examine the ways in which both disciplines, art and science, are not as distant as commonly assumed. I will start from today's impact of science onto the arts by analyzing the specificities and similarities of the post-Fukushima and post-Chernobyl artistic production, and will retrace the intimate link tying the two disciplines together back to the 19th century. This will allow me to demonstrate the "intra-actions" of the two disciplines - which means their "ontological inseparability" to use the concept developed by Karen Barad in Meeting the Universe Halfway (2007). Ultimately, this will also permit me to inquire the "intra-actions" between Japan and other parts of the world, and therefore offer a reflection regarding the question of national identity in Japan.

収録刊行物

• 国際日本学

  国際日本学 12 17-35, 2015-01-30

  法政大学国際日本学研究所

詳細情報

• CRID: 1390853649757272192
• NII論文ID: 120006786572
• NII書誌ID: AA11914954
• ISSN: 18838596
• DOI: 10.15002/00022479
• NDL書誌ID: 026396633
• Web Site: http://hdl.handle.net/10114/00022479
• Web Site: https://ndlsearch.ndl.go.jp/books/R000000004-I026396633
• 本文言語コード: ja
• データソース種別:
  • JaLC
  • IRDB
  • NDL
  • CiNii Articles