Patronage, art, and society in Renaissance Italy
著者
書誌事項
Patronage, art, and society in Renaissance Italy
Humanities Research Centre Australia , Oxford University Press, 1987
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注記
Includes index
内容説明・目次
内容説明
Patronage, in its broadest sense, has been established as one of the dominant social processes of pre-industrial Europe. This collection examines the role it played in the Italian Renaissance, focusing particularly upon Florence.
Traditionally viewed simply as the context for the extraordinary artistic creativity of the Renaissance, patronage has more recently been examined by historians as a comprehensive system of patron-client structures which permeated society and social relations. The scattered research so far done on this broader concept of patronage is drawn together and extended in this new volume, derived from a conference held in Melbourne as part of 'Renaissance Year' in 1983. The essays, by art historians as
well as historians, explore our new understanding of Renaissance Italy as a 'patronage society', and consider its implications for the study of art patronage and patron-client structures wherever they occur.
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