The Apollonian clockwork : on Stravinsky
Author(s)
Bibliographic Information
The Apollonian clockwork : on Stravinsky
Oxford University Press, 1989
- Other Title
-
Apollinisch uurwerk
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Note
Translation of: Het apollinisch uurwerk
Includes bibliographies and index
Description and Table of Contents
Description
A study of Stravinsky illustrated with many musical examples which explores his musical thought and argues that the familiar division of the composer's work into various periods, such as "Russian" and "neo-classical", more often obscures rather than clarifies the music.
Table of Contents
- Part 1: the new renewed
- 1966 - "Requiem Canticles"
- America on Sunday
- ars imitatio artis
- no copyright problem here
- 1919 - "La Marseillaise"
- a motto
- ordeals of the memory
- forma formans
- zoonology
- 1947 - "Orpheus". Part 2: Purcell, Pergolesi and the others
- concocted reality
- the inverted metaphor
- the utopian unison
- "Poetique Musicale"
- on influence
- 1952 - "Cantata"
- "Philosophie der neuen Musik"
- 1955 - "Greeting Prelude"
- New York - Robert Craft and Vera Stravinsky
- 1943 - "Ode". Part 3: Monsieur, le pauvre Satie
- ragtime
- 1921 - "Les cinq doigts"
- 1917 - "Les Noces" ("Svadebka")
- on montage technique
- a kind of Brecht
- 1918 - "L'Histoire du Soldat"
- on authenticating and on making current
- ostinato basses
- a visit to Lake Geneva
- id est - hermetic music. Part 4: Stravinsky
- 1957 - "Agon"
- the world, a comedy
- "...I sing my song"
- the metamorphosis of Misha
- octotony
- the firebird as magpie
- 1912 - "Le Roi des Etoiles" ("Zvezdoliki")
- the tradition of the new
- spirit in the bottle of Cologne
- a photomontage. Part 5: 1951 - "The Rake's Progress".
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