English songs : 1625-1660
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書誌事項
English songs : 1625-1660
(Musica Britannica : a national collection of music, 33)
published for the Misica Britannica Trust established by the Royal Musical Association [by] Stainer and Bell, 1977
2nd, rev. ed
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注記
For 1-4 voice(s) and keyboard instrument
English words
収録内容
- Nicholas Lanier (1588-1666) : Weep no more my wearied eyes
- Fire! fire! lo hire I burn (Campian)
- Silly heart for bear
- No more shall meads be deck'd with flowr's (Carew)
- Mark how the blushful morn (Carew)
- Love and I of late did part
- Like hermit poor in pensive place obscure (Raleigh)
- Neither sighs, nor tears, nor mourning
- Stay, silly heart, and do not break
- Nor com'st thou yet, my slothful love: Recitative
- Tell me, shepherd, dost thou love? Dialogue
- Robert Ramsey (fl. 1616-1644) : What tears, dear prince, can serve (Raleigh)
- Go perjur'd man! and if you e'er return (Herrick)
- Thou may'st be proud (Herrick)
- Howl not, you ghosts and furies, while I sing: Dialogue (Herrick)
- Alfonso (?) Bales (d. 1635) : Chloris sigh'd, and sang, and wept (Pembroke)
- Shephen Mace (d. 1635) : Weep no more, nor sigh, nor groan (Beaumont & Fletcher: The queen of Corinth)
- John Jenkins (1592-1678) : Cease not, thou heav'nly-voiced glorious creature
- Why sigh'st thou, shepherd? Dialogue (Randolph)
- John Wilson (1595-1674) : Wherefore peep'st thou, envious day? (Donne?)
- Take, o take those lips away (Beaumont & Fletcher: The bloody brothēr)
- In a maiden time profess'd (Middleton: The witch)
- Languish and despair, my heart!
- Turn, turn thy beauteous face away (Beaumont & Fletcher: Love's cure)
- Pity of beauty in distress
- As tuned harp strings sad notes take
- Since love hath in thine and mine eye
- Awake, awake! the morn will never rise (Davenant)
- In the merry month of May (Breton)
- Thou great and good! could I but rate (Montrose)
- From the fair lavinian shore
- In a season all oppressed
- Henry Lawes (1596-1662) : I rise and grieve
- Speak, speak, at last reply
- Or you, or I, nature did wrong!
- Hard-hearted fair, if thou wilt not consent
- Sweet stay awhile; why do you rise? (Donne)
- Break heart in twain! fair ronile may see
- Transcendent beauty, thou that art
- O let me groan one word into thine ear (Pembroke)
- Slide soft you silver floods
- Out upon it, I have lov'd (Suckling)
- Come from the dungeon to the throne (Cartwright: The royal slave)
- Come my sweet while ev'ry strain (The royal slave)
- Now the sun is fled (The royal slave)
- Thou, o bright sun, who see'st all (The royal slave)
- Wert thou yet fairer than thou art
- Whither are all her false oaths blown? (Herrick)
- 'Tis but a frown, I prithee let me die
- No, no, fair heretic, it cannot be (Suckling)
- Will you know my mistress' face?
- Sleep soft, you cold clay cinders that late clad
- Bid me but live, and I will live (Herrick)
- Go thou gentle whisp'ing wind (Carew)
- When thou, poor excommunicate (Carew)
- Have you e'er seen the morning sun (Hughes)
- O tell me love! o tell me fate! (Hughes)
- Beauty and love once fell at odds
- O turn away those cruel eyes (Stanley)
- As celia rested in the shade: Dialogue (Carew)
- John Hilton (1599-1657) : Thou may'st be proud (Herrick)
- Wilt thou forgive the sin where I begun? (Donne)
- Am I despis'd because you say (Herrick)
- Hang golden sleep upon her eyelids fair
- If that I for thy sweet sake
- You meaner beauties of the night (Wotton)
- Rise, princely shepherd, and be arbiter: Dialogue
- Charles Coleman (d. 1664) : Wake my adonis, do not die (Cartwright)
- Bright Aurelia, I do owe
- Wilt thou be gone, thou heartless man
- Change, platonics, change for shame
- How am I chang'd from what I was
- When Celia I intend do flatter you
- Did not you once, Lucinda, vow: Dialogue
- Simon Ives (1600-1662) : Will Chloris cast her sun-bright eyes
- Go bid the swan in silence die
- Shepherd well met, I prithee tell: Dialogue
- William Lawes (1602-1645) : Why should great beauty virtuous fame desire (Davenant)
- Why so pale and wan, fond lover? (Suckling: Aglaura)
- No, no, fair heretic, it needs must be (Aglaura)
- To whom shall I camplain; to men or gods?
- Pleasures, beauty, youth attend ye (Ford: The lady's trial)
- Faith, be no longer coy
- Gather ye rosebuds while ye may (Herrick)
- Come adonis, come away (Tatham)
- Charon, o Charon! hear a wretch oppress'd: Dialogue
- William Webb (fl. 1620-1656) : As life what is so sweet
- Go and bestride the southern wind
- Pow'rful morpheus, let thy charms
- Victorious beauty, though your eyes (Townshend)
- Since 'tis my fate to be thy slave
- Look back Castara from thine eye (Habington)
- William Caesar (alias Smegergill) (fl. 1615-1667) : Blow gently passion in my fair one's breast
- If any live that fain would prove
- Forbear fond swain, I cannot love: Dialogue
- George Jeffreys (d. 1685) : Drowsy phoebus, come away: Dialogue (Haustet: The rival friends)
- Have pity, grief; I cannot pay (The rival friends)
- Cruel! but once again (The rival friends)
- John Atkins (d. 1671) : Wert thou yet fairer than thou art
- This lady ripe and fair and fresh (Davenant: The just Italian)
- When the chill Cherocco blows (Bonham)
- I can love for an hour when I'm at leisure
- Thomas Brewer (b. 1611) : Mistake me not, I am as cold as hot
- O that mine eyes could melt into a flood
- Thomas Blagrave (d. 1688) : What means this strangeness now of late? (Aytoun)
- John Taylor (fl. 1637-1646) : Tell me not that I die, or live by thee (Tatham)
- Lay that sullen garland by thee
- Thomas Charles (?-?) : Why will you swear I am forsworn (Lovelace)
- Jeremy Savile (d. 1665) : I will not trust thy tempting graces (Stanley)
- Edward Coleman (d. 1669) : Why, dearest, should you weep (Cotton)
- The glories of our birth and state (Shirley: Ajax und ulysses)
- John Goodgroome (d. 1704) : Fret on, fond cupid, curse thy feeble bow
- Dost see how unregarded now (Suckling)