The Blackwell history of music in Britain

著者

書誌事項

The Blackwell history of music in Britain

general editor, Ian Spink

Blackwell, c1988-

  • v. 2
  • v. 3
  • v. 4
  • v. 5
  • v. 6

タイトル別名

Music in Britain

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注記

v. 5. Spine title: The Athlone history of music in Britain

At head of special title: Music in Britain

Vol. 5 originally published as v. 5 of The Athlone history of music in Britain. London : Athlone Press ; New Jersey : Distributor in the USA and Canada, Humanities Press, 1981

Includes bibliographical references and index

収録内容

  • v. 2. The sixteenth century / edited by Roger Bray
  • v. 3. The seventeenth century / edited by Ian Spink
  • v. 4. The eighteenth century / edited by H. Diack Johnstone, Roger Fiske
  • v. 5. The romantic age, 1800-1914 / editor, Nicholas Temperley
  • v. 6. The twentieth century / edited by Stephen Banfield

内容説明・目次

巻冊次

v. 3 ISBN 9780631165187

内容説明

This volume explores the social and cultural background to the music of the period, and gives a thorough historical context to the developments in British music. Following an introductory section on the social and cultural background of the seventeenth century, there are chapters by leading musicologists and musical historians on various aspects of music making. There is a full range of music examples, a thorough bibliography and an index.

目次

Foreword. Contributors. Preface and Acknowledgements. 1. Music and Society: Ian Spink (Royal Holloway and Bedford New College). 2. Church Music I, Before the Civil War: Lionel Pike (Royal Holloway and Bedford New College). 3. Church Music II, From 1660: Ian Spink. 4. Vocal Music I, up to 1660: David Greer (University of Durham). 5. Vocal Music II, from 1660: Ian Spink. 6. Consort Music I, up to 1660: Christopher D. S. Field (University of Edinburgh). 7. Consort Music II, from 1660: Michael Tilmouth and Christopher D. S. Field. 8. Music for the Stage I, before the Civil War: Peter Holman (Colchester). 9. Music for the Stage II, from 1650: Margaret Laurie (Reading University Music Library). 10. Barry Cooper (University of Aberdeen). 11. Solo Music for Tablature Instuments: Matthew Spring (London). 12. Writings about Music: Rosamond McGuinness (Royal Holloway and Bedford New College). Notes. Bibliography and Abbreviations. Index.
巻冊次

v. 4 ISBN 9780631165194

内容説明

This volume provides an account of music and musical life in 18th century Britain, with contributions by leading musicologists and musical historians. Setting the study of the century's music in a social and cultural context, the book combines musicological investigation with a clear sense of the place occupied by music in 18th century society. An introductory essay covers the background of socio-cultural history. The century is then divided roughly in two, and in each period (1700-1760, and 1760-1800) three discrete areas of music are examined: concert life, the theatre and music in the home. The contributors revalue the work of Greene, Arne, Boyce and Storace, and look in detail at the domination of London society enjoyed by Handel, J.C. Bach and Haydn. The role of women in music is discussed, as is the state of musical education. A final section looks at music in the church, and at musical literature.

目次

  • Part I 1. Music and Society, R.Fiske
  • Part II 2. Concert Life in England I, R.McGuiness 3. Theatre Music I, R.Platt 4. Music in the Home I, H.D.Johnston
  • Part III 5. Concert Music II, R.Fiske 6. Theatre Music II, R.Hoskins 7. Music in the Home II, S.Sadie
  • Part IV Church Music and Music Literature 8. Church Music. N.Temperley 9. Music Literature, T McGeary.
巻冊次

v. 5 ISBN 9780631165217

内容説明

This is an account of music in Britain in the Romantic period from 1800 - 1914, with contributions by the leading musicologists and musical historians. It reflects a change of approach in traditional musicological investigation in its concern with music as something deeply rooted in the social and cultural life of its period. An introductory section analyzes the function of music in a rapidly changing society, with the rise of musical education and the expansion of music publishing. Then the field is divided into two broad categories. Firstly, Popular and Functional Music, including all those kinds of music that burgeoned in Victorian times, but have long been considered outside the realm of "serious" study - work songs, music hall, musical comedy, dance music, band music, hymn tunes and drawing room ballads. The second category, Art Music, offers fresh reappraisals of Bishop, Field, the Wesleys, Sterndale Bennett, Sullivan, Parry, Elgar and a host of lesser composers. The final section of the book contains chapters on the development of criticism, full range of music examples and a considerable bibliography.

目次

  • I Music in Society
  • 1 The Artist and Society, Stephen Banfield 2 Music in Education, Bernarr Rainbow 3 Music Publishing, D.W.Kummel
  • II Popular and Functional Music
  • 4 Popular Music of the Lower Classes, Richard Middleton 5 Music of the Popular Theatre, Andrew Lamb 6 Ballroom and Drawing Room Music, Nicholas Temperley 7 Band Music, Donald H. van Ess 8 Parochial and Non-Conformist Church Music, Benarr Rainbow
  • III Art Music
  • 9 Cathedral Music, Nicholas Temperley 10 Oratorios and Cantatas, Nigel Burton 11 Glees, Madrigals and Part Songs, Michael Hurd 12 Songs, Geoffrey Bush 13 Theatre Music 1800-1834, Bruce Carr 14 Opera 1834-1865, Michael Hurd 15 Opera 1865-1914, Nigel Burton 16 Orchestral Music, Percy M. Young 17 Chamber Music, Geoffrey Bush 18 Piano Music 1800-1870, Nicholas Temperley 19 Piano Music 1870-1914, John Parry 20 Organ Music, Nicholas Temperley
  • IV Writings on Music
  • 21 Aesthetics and Criticism, Stephen Banfield 22 Music Theory, Larry G. Whatley 23 Musicology, Vincent Duckles
巻冊次

v. 6 ISBN 9780631174240

内容説明

This volume surveys the vast changes in British music during the twentieth century. Focusing on the period from 1914, it picks up many of the strands from Nicholas Temperley's study of the nineteenth-century, and looks at the musical context of Britain in the modern world.Intellectual movements are surveyed by Arnold Whittall, the growth of popular culture and popular music is examined by Richard Middleton, while Cyril Ehrlich covers the educational and institutional background.The book is divided into sections, covering popular and commercial music, art music and the century's writings, scholarship and performance traditions.Stephen Banfield also considers the traditions of many ethnic minorities in British culture who also demand to be recognized, alongside the technological developments of electro-acoustic music.

目次

Part I: Music in Context: 1. Modernism and the British Intellectual Climate: Arnold Whittall. 2. The Problem of Popular Music: Richard Middleton. 3. Institutions and Processes: Cyril Ehrlich. Part II: Popular and Commercial Music: 4. The Jazz Age: Derek Scott. 5. The Rock Revolution: Richard Middleton. 6. Music for the Theatre: Patrick O'Connor. 7. Music for the Cinema: David Kershaw. 8. Practitioners and their Repertoire: Folk, Churches, Schools: David Russell. Part III: Art Music: 9.Englishness and Britishness in Music: Stephen Banfield. 10. Vocal and Choral Music (Music to Texts): Stephen Banfield. 11. Music and Drama: Ballet, Opera, Radio, Music Theatre: Matthew Rye. 12. The Symphonic Tradition I: Instrumental Music: Peter Evans. 13. The Symphonic Tradition II: Instrumental Music: Serialism and after: Jim Samson. Part IV: Writings Scholarship and Performance: 14. Aesthetics, Criticism, Theory, Lexicography: Christian Kennet. 15. The Revival of Early Music: Harry Haskell. 120 Music Examples. Bibliography. Index.
巻冊次

v. 2 ISBN 9780631179245

内容説明

The music of the sixteenth century has been "rediscovered" regularly since its composition. It was an especially fertile period for English music in particular, and to put the century in a historical and musicological perspective, this volume spans the era from 1485 to 1625, although in order to provide context and perspective the contributors range back to the middle of the fifteenth century and towards the end on the seventeenth. The book opens with a history of music and musicians in Tudor England, covering composition and performance, as well as the changing functions of music over the period. Two chapters are dedicated to sacred and church music. They cover the last years of Pre-Reformation England (especially the music of Fayrfax, Ashwell, Taverner, and the organ music of Redford, Preston and Rhys), the composers who span the charge to Anglicanism (for example Sheppard and Tallis) and those (such as Tye, Byrd, Morley, Weelkes, Hooper and Gibbons) who helped lay the foundations for the rich heritage of Anglian church music that remains so vibrant a part of the church today. These chapters also consider the particular problems of those who continued to write Latin music after the Reformation (in particular Parsons, White and Byrd). The final three chapters of the book are devoted respectively to secular vocal music, to keyboard music, and to ensemble and lute music. These chapters include a detailed discusson of Tudor partsong, of the consort song, of English Madrigalists, the English Virginal School, the English lutenists and the rich variety of muic for ensemble. The book concludes with full bibliographies and with a comprehensive index.

目次

Introduction: the intellectual climate. 1. Composition. 2. Transmission. 3. Performance. 4. Reception: Roger Bray. 5. Sacred Music in Latin: Roger Bray. 6. Sacred Music in English: John Morehen. 7. Secular Song: Tim Carter. 8. Keyboard Music: Keith Elcombe. 9. Ensemble Music: John Harper. Index.

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