The World of Samuel Beckett
著者
書誌事項
The World of Samuel Beckett
（Psychiatry and the humanities, v. 12）
John Hopkins University Press, c1991
- : pbk.
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注記
Includes bibliographies and index
内容説明・目次
- 巻冊次
-
ISBN 9780801840791
内容説明
The World of Samuel Beckett brings together a distinguished group of authorities, among them Beckett's longtime associates and colleagues Herbert Blau and Martin Esslin. In a chapter on Beckett's "Enough," Blau concedes that parts of the playwright's work can be lyrical and beguiling, but "it's still an appalling vision." Esslin (who coined the term "theater of the absurd") challenges the notion that Beckett is difficult or depressing, arguing instead that he is basically a comic writer, gallows humor thought it be. Angela Moorjani sees Beckett's writing as the product of a cryptic text inscribed within. Bennett Simon, a psychiatrist who has written extensively on Beckett, examines the self in current art and psychoanalysis. Joseph H. Smith emphasizes that Beckett, like Freud and Lacan, challenges any notions of "cure" as the easy achievement of happiness.
目次
Acknowledgments
Introduction
Chapter 1. Quaquaquaqua: The Babel of Beckett
Chapter 2. Enough or Too Little? Vpoicings of Desire and Discontent in Beckett's "Enough"
Chapter 3. Seven Types of Postmodernity: Several Types of Samuel Beckett
Chapter 4. A Cryptanalysis of Beckett's Molloy
Chapter 5. The Whole Story
Chapter 6. "Tender Mercies": Subjectivity and Subjection in Samual Beckett's Not I
Chapter 7. Post Apocalypse with Out Figures: The Trauma of Theater in Samuel Breckett
Chapter 8. Recovering the Neant: Language and the Unconscious in Beckett
Chapter 9. The Fragmented Self, the Reproduction of the Self, and Reproduction in Beckett and in the Theater of the Absurd
Chapter 10. Self-objectification and Preservation Beckett's Krapp's Last Tape
Chapter 11. Notes on Krapp, Endgame, and "Applied" Psychoanalysis
Chapter 12. Telling It How It Is: Beckett and the Mass Media
The Less Said
Index
- 巻冊次
-
: pbk. ISBN 9780801841354
内容説明
"The World of Samuel Beckett" brings together a distinguished group of authorities, among them Beckett's longtime associates and colleagues Herbert Blau and Martin Esslin. In a chapter on Beckett's "Enough", Blau concedes that parts of the playwright's work can be lyrical and beguiling, but "it's still an appalling vision". Esslin (who coined the term "theater of the absurd") challenges the notion that Beckett is difficult or depressing, arguing instead that he is basically a comic writer, gallows humor thought it be. Angela Moorjani sees Beckett's writing as the product of a cryptic text inscribed within. Bennett Simon, a psychiatrist who has written extensively on Beckett, examines the self in current art and psychoanalysis. Joseph H. Smith emphasizes that Beckett, like Freud and Lacan, challenges any notions of "cure" as the easy achievement of happiness.
目次
Acknowledgments
Introduction
Chapter 1. Quaquaquaqua: The Babel of Beckett
Chapter 2. Enough or Too Little? Vpoicings of Desire and Discontent in Beckett's "Enough"
Chapter 3. Seven Types of Postmodernity: Several Types of Samuel Beckett
Chapter 4. A Cryptanalysis of Beckett's Molloy
Chapter 5. The Whole Story
Chapter 6. "Tender Mercies": Subjectivity and Subjection in Samual Beckett's Not I
Chapter 7. Post Apocalypse with Out Figures: The Trauma of Theater in Samuel Breckett
Chapter 8. Recovering the Neant: Language and the Unconscious in Beckett
Chapter 9. The Fragmented Self, the Reproduction of the Self, and Reproduction in Beckett and in the Theater of the Absurd
Chapter 10. Self-objectification and Preservation Beckett's Krapp's Last Tape
Chapter 11. Notes on Krapp, Endgame, and "Applied" Psychoanalysis
Chapter 12. Telling It How It Is: Beckett and the Mass Media
The Less Said
Index
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