Speaking of art
著者
書誌事項
Speaking of art
Nijhoff, 1973
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注記
Bibliography: p. [130]-132
Includes index
内容説明・目次
内容説明
As the title of this book was meant to suggest, its subject is the way we talk about (and write about) works of art: or, rather, one of the ways, namely, the way we describe works of art for critical purposes. Be cause I wished to restrict my subject matter in this way, I have made a sharp, and no doubt largely artificial distinction between describing and evaluating. And I must, at the outset, guard against a misreading of this distinction to which I have left myself open. In distinguishing between evaluative and descriptive aesthetic judgments, I am not saying that when I assert "X is p," where p is a "descriptive" term like "unified," or "delicate," or "garish," I may not at the same time be evaluating X too; and I am not saying that when I make the obviously "evaluative" assertion "X is good," I may not be describing X. Clearly, if I say "X is unified" I am evaluating X in that unity is a good-making feature of works of art; and as it is correct in English at least to call an evaluation a description, I do not want to suggest that if an assertion is evaluative, it cannot be de scriptive (although there have been many philosophers who have thought this indeed to be the case).
目次
I. The Condition-Governed Model.- Unity in Music: A Test Case.- Refutations and Rejoinders.- Monothematic Structure and the Condition-Governed Model.- Recapitulation.- II. Two Concepts of Taste.- Taste and Non-Taste.- An Ability to Notice or See or Tell.- De Gustibus.- Recapitulation.- III. Are Aesthetic Terms Ungovernable.- Aesthetic and Nonaesthetic.- Aesthetic Terms and Aesthetic Discourse.- Aesthetic Terms and Novel Objects.- Aesthetic Terms and Taste.- Recapitulation.- IV. Are Things Always What They Seem?.- Further Reflections on the Behavior of Aesthetic Terms.- The Doctrine of Aesthetic Vision.- Animadversions on the "Doctrine".- Recapitulation.- V. Duck-Rabbit and Other Perplexities.- Aspects or Qualities.- Aspect-Perceiving and Aesthetic Perceiving.- The Logic of Aspect-Ascribing.- Recapitulation.- VI. Art and Objectivity.- Two Footnotes to Plato.- Aesthetic Terms and Aesthetic Qualities.- Aesthetic Terms and Aesthetic Disagreements.- Conclusion.
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