Nineteenth century art : a critical history
著者
書誌事項
Nineteenth century art : a critical history
Thames and Hudson, c1994
- : pbk
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注記
Bibliography: p. 365-367
Includes index
内容説明・目次
内容説明
In art, as in every field, the 19th century was a period of experimentation: in which artists divined and portrayed the crucial connections between seeing and knowing, vision and society, explored the links between perception and history. Today, this legacy has been obscured by revisionism's that have changed art history. This book embraces the "new" methods while recovering the vitality, salience and subversiveness of the era's best art. This volume suggests that 19th-century art remains compelling today because its critical insights have rarely been surpassed. It will be of interest not just to the specialist, but to anyone fascinated by this unique period.
目次
- Part 1 Conformity and innovation. Part 2 Classicism, historicism, romanticism: patriotism and virtue - David to the Young Ingres
- classicism in crisis - Gros to Delacroix
- the end of Enlightenment - Goya
- visionary history painting - Blake and his contemporaries
- historical nature - Constable, Turner and Romantic landscape painting. Part 3 New World frontiers: Old World, New World - the encounter of cultures on the American frontier - King, Catlin and Cohoe
- black and white in America - Homer, Lewis, Eakins and Tanner. Part 4 Realism and naturalism: the generation of 1830 and the crisis in the public sphere
- the rhetoric of realism - Courbet and the origins of the avant-garde
- the decline of history painting - naturalism, individualism and French salon art. Part 5 Modern art and life: Manet and the Impressionists
- issues of gender in Cassatt and Eakins
- mass culture and Utopia - Seurat and Neo-Impressionism
- abstraction and populism - Van Gogh
- symbolism and the dialectics of retreat
- the failure and success of Cezanne.
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