French national cinema
著者
書誌事項
French national cinema
（National cinemas）
Routledge, 1993
- : pbk
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注記
Includes bibliographical references (p. [306]-314) and index
内容説明・目次
内容説明
This examination of France's national cinema takes its primary artefact, the feature film and discusses both popular cinema and the `avant garde' cinema that contests it.
Susan Hayward argues that writing on French national cinema has tended to focus on either `great' film-makers or on specific movements, addressing moments of exception rather than the global picture. Her work offers a thorough and much-needed historical textualisation of those moments and relocates them them in their wider political and cultural context. Beginning with an `ecohistory' of the French film industry, she then traces the various movements in French cinema and the directors associated with them, including the avant-garde, Poetic-Realist, New Wave and today's postmodern cinema. Her analysis includes, amongst other considerations, the social and political concerns these cinemas reflect.
目次
Preface Introduction: Defining the "national" of a country's cinematic production 1. A brief ecohistory of France's cinema industry 2. Magical moments of musical silence: French cinema's classical age 3. From clarity to obscurity: French cinema's age of modernism 4. From ideology to narcissism Conclusion Bibliography
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