Roman art
著者
書誌事項
Roman art
（Yale University Press Pelican history of art）
Yale University Press, 1995, c1988
2nd ed. / rev. and annotated under the editorship of Roger Ling, new impression
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注記
"First published 1976 by Penguin Books Ltd. Second edition 1988. New impression 1995 by Yale University Press"--T.p. verso
Includes bibliographical notes (p. [332]-371), bibliography (p. [375]-387), and index
内容説明・目次
内容説明
Donald Strong's book traces the development of Roman art from its beginnings to the end of the 4th century A.D., embracing the monuments of the Republic and then of the later Roman world, which extended from Britain to Mesopotamia and from the Rhine and Danube to North Africa. A special virtue is the demonstration of how all the arts of a given period combine to mirror its social, cultural, and ideological character. Roger Ling and a panel of other authorities have supplied full notes, furnishing references for research undertaken both before and after first publication. The bibliography, too, has been updated.
目次
- Part 1 The beginnings. Part 2 The mid and late republic: early coinage
- early terracottas and bronzes
- the influence of Greek art
- Roman art in the second and early first centuries BC
- early portraits and reliefs. Part 3 Decorative arts, artists and patrons in the late republic: interior decoration
- Greek artists and Roman patrons
- republican wall painting. Part 4 The transition to the empire and Augustus (31 BC - AD 14): art and the dynasts
- late republican relief sculpture
- the ara pacis Augustae
- Augustan portraiture
- other works of Augustan commemorative art
- Augustan metalwork, gems, painting and mosaics. Part 5 The Julio-Claudians (AD 14-68): relief sculpture
- portraiture
- provincial art
- Sperlonga and villa decoration
- the golden house of Nero
- funerary art. Part 6 The Flavians (AD 69-98): relief sculpture
- interior decoration and portraiture
- funerary art. Part 6 Trajan (AD 98-117): Trajan's forum, column and "Great Frieze"
- the arch at Benevento and other public monuments
- portraiture
- art in the provinces
- sarcophagi. Part 8 Hadrian (AD 117-38): portraiture and imperial taste
- relief sculpture
- interior decoration
- sarcophagi. Part 9 The Antonines (AD 138-92): the base of Antoninus Pius' column
- sarcophagi
- portraiture
- Aurelian relief panels
- sarcophagi
- the column of Marcus Aurelius
- portraiture
- art in the provinces. Part 10 The Severans (AD 193-235): relief sculpture in Rome and North Africa
- portraiture
- sarcophagi
- interior decoration
- early Christian painting
- mosaics in Italy and the provinces
- art in the provinces
- art at Dura Europos. Part 11 The 3rd century (AD 238-84): portraiture
- villa decoration
- coin types
- the classical tradition
- sarcophagi
- Christian and Jewish art. Part 12 The Tetrarchs (AD 293-311): the imperial image
- public monuments
- art in the provinces
- Piazza Armerina
- porphyry sculpture
- S. Costanza. Part 13 Constantine the Great (AD 311-37): the arch of Constantine
- the imperial image
- painting and mosaics
- Christian sarcophagi
- catacomb painting
- Constantinople. Part 14 The 4th century after Constantine the Great: classicism
- luxury crafts
- imperial portraiture
- Christian sarcophagi
- New Rome
- private portraiture
- mosaics.
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