Melville's anatomies

書誌事項

Melville's anatomies

Samuel Otter

University of California Press, c1999

  • : cloth
  • : pbk

大学図書館所蔵 件 / 49

この図書・雑誌をさがす

注記

Includes bibliographical references (p. 325-354) and index

内容説明・目次

巻冊次

: cloth ISBN 9780520205819

内容説明

In fascinating new contextual readings of four of Herman Melville's novels - "Typee", "White-Jacket", "Moby-Dick", and "Pierre" - Samuel Otter delves into Melville's exorbitant prose to show how he anatomizes ideology, making it palpable and strange. Otter portrays Melville as deeply concerned with issues of race, the body, gender, sentiment, and national identity. He articulates a range of contemporary texts (narratives of travellers, seamen, and slaves; racial and aesthetic treatises; fiction; poetry; and essays) in order to flesh out Melville's discursive world.Otter presents Melville's works as 'inside narratives' offering material analyses of consciousness. Chapters centre on the tattooed faces in Typee, the flogged bodies in White-Jacket, the scrutinized heads in Moby-Dick, and the desiring eyes and eloquent, constricted hearts of Pierre. Otter shows how Melville's books tell of the epic quest to know the secrets of the human body. Rather than dismiss contemporary beliefs about race, self, and nation, Melville inhabits them, acknowledging their appeal and examining their sway. Meticulously researched and brilliantly argued, this groundbreaking study links Melville's words to his world and presses the relations between discourse and ideology. It will deeply influence all future studies of Melville and his work.
巻冊次

: pbk ISBN 9780520205826

内容説明

In fascinating new contextual readings of four of Herman Melville's novels - Typee, White-Jacket, Moby-Dick, and Pierre-Samuel. Otter delves into Melville's exorbitant prose to show how he anatomizes ideology, making it palpable and strange. Otter portrays Melville as deeply concerned with issues of race, the body, gender, sentiment, and national identity. He articulates a range of contemporary texts (narratives of travelers, seamen, and slaves; racial and aesthetic treatises; fiction; poetry; and essays) in order to flesh out Melville's discursive world. Otter presents Melville's works as 'inside narratives' offering material analyses of consciousness. Chapters center on the tattooed faces in Typee, the flogged bodies in White-Jacket, the scrutinized heads in Moby-Dick, and the desiring eyes and eloquent, constricted hearts of Pierre. Otter shows how Melville's books tell of the epic quest to know the secrets of the human body. Rather than dismiss contemporary beliefs about race, self, and nation, Melville inhabits them, acknowledging their appeal and examining their sway. Meticulously researched and brilliantly argued, this groundbreaking study links Melville's words to his world and presses the relations between discourse and ideology. It will deeply influence all future studies of Melville and his work.

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