Music and culture in America, 1861-1918

書誌事項

Music and culture in America, 1861-1918

edited by Michael Saffle

(Essays in American music, v. 2)(Garland reference library of the humanities, v. 1952)

Garland, 1998

大学図書館所蔵 件 / 9

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注記

Includes index

収録内容

  • William Steinway and music in New York 1861-1871 / Edwin M. Good
  • Mrs. Potiphar at the opera : satire, idealism, and cultural authority in post-Civil War New York / Karen Ahlquist
  • Concert singers, prima donnas, and entertainers : the changing status of black women vocalists in nineteenth-century America / Thomas L. Riis
  • Somewhere between beer and Wagner : the cultural and musical impact of german Männerchöre in New York and New Orleans / Mary Sue Morrow
  • The Indianapolis Männerchor : contributions to a new musicality in midwestern life / Suzanne G. Snyder
  • Why American art music first arrived in new England / Nicholas E. Tawa
  • Promoting the local product : reflections on the California musical Press, 1874-1914 / Michael Saffle
  • Music in Lancaster, Kentucky, 1885-1910 : local talent, touring artists, and the opera house / Ben Arnold
  • Jacob Guth in Montrose : a town band in central Pennsylvania, 1888-1897 / Kenneth Kreitner
  • When Cairo met main street : little Egypt, Salome dancers, and the world's fairs of 1893 and 1904 / Charles A. Kennedy
  • Inventing tradition : symphony and opera in progressive-era Los Angeles / Catherine Parsons Smith
  • The operettas of Charles Hutchinson Gabriel / Clyde W. Brockett
  • The missing title page : Dvořák and the American national song / John C. Tibbetts

内容説明・目次

内容説明

This collection of new essays focuses on the crucial period at the end of the 19th and early 20th century when American music developed its own unique social and cultural institutions.

目次

Why American Art Music Arrived First in New England, Nicholas Tawa * Musical Life in Turn-of-the-Century Indianapolis, Suzanne Snyder * Diaries of William Steinway and New York Musical Life, 1861-1871, Edwin M. Good * Concert Singers, Prima Donnas, and Entertainers: The Changing Status of Black Women Vocalists in 19th-Century America, Thomas L. Riis * When Cairo Met Main Street: Little Egypt, Salome Dancers, and the World's Fairs of 1893 and 1904, Charles Kennedy * Promoting the Local Product: Sherman and Hyde's Review and the San Francisco Musical Press of 1874 * Inventing Tradition: Symphony and Opera in Progressive-era Los Angeles, Catherine P. Smith * Somewhere Between Beer and Wagner: The MSnnershsre Societies of New Orleans and New York City, Mary Sue Morrow * Mrs. Poliphar at the Opera: Satire, Idealism, and Cultural Authority in Post-Civil War New York, Karen Ahlquist * Jacob Guth in Montrose Band: A Town Band in Central Pennsylvania, April-August 1889, Kenneth Kreitner * Music in Lancaster, Kentucky, 1885-1910: Local Talent, Traveling Tours, and the Opera House, Ben Arnold * Operettas of Charles Hutchison Gabriel, Clyde W. Brockett * Missing Title Page: Dvorak and the American National Song, John C. Tibbetts

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