Bibliographic Information

Vesper and compline music for four principal voices

edited with an introduction by Jeffrey Kurtzman

(Seventeenth-century Italian sacred music, v. 14)(A Garland series)

Garland Pub., 1998

Printed Music(Full Score)

Other Title

Vespers and compline

Available at  / 3 libraries

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Note

With instrumental ensemble or continuo

Latin words

Includes bibliographical references

Contents of Works

  • Domine ad adiuvandum : 1630 / by Giovanni Battista Biondi da Cesena
  • Domine ad adiuvandum : 1653 / by Maurizio Cazzati
  • Domine ad adiuvandum : 1698 / by Isabella Leonarda
  • De profundis : 1600 / by Lodovico Viandana
  • In te Domine speravi : 1609 / Agostino Agazzari
  • Dixit Domonus : 1610 (1609) / Antonio Cifra
  • Credidi : 1620 (1614) / by Giovanni Francesco Anerio
  • Beati omnes : 1630 / by Giovanni Battista Biondi da Cesena
  • Laudate pueri : 1650 / by Chiara Margarita Cozzolani
  • Laetatus sum : 1652 / by Tarquinio Merula
  • Laudate pueri : 1653 / by Marrizio Cazzati
  • Magnificat : 1663 / by Marizio Cazatti
  • Dixit dominus : 1654 / by Giovanni Legrenzi
  • Iste confessor : 1674 (1673) / by Bonifazio Graziani

Description and Table of Contents

Description

First published in 1998. Volume 14 out of a collection of 25 of Seventeenth- Century Italian Sacred Music, focuses on the works of Vesper, and compline music for four principal voices. This series presents a large selection of Italian sacred music scored from printed part-books, works which have not been published in modem editions. Sacred music constitutes the largest gap in our present understanding of seventeenth-century Italian music. The volumes of Vesper and Compline music are arranged according to the number of principal voices, chronologically within each volume, beginning with works for one and two voices, progressing to works for three and four choirs.

Table of Contents

  • Chapter 1 DOMINE AD ADIUVANDUM
  • Chapter 2 DOMINE AD ADIUVANDUM
  • Concertato. A 4. voci con quatro Parti di Ripieno, & doi Violini se piace
  • Chapter 3 DOMINE AD ADIUVANDUM
  • A quattro voci, con Violini
  • Chapter 4 DE PROFUNDIS
  • 4. Toni
  • Chapter 5 IN TE DOMINE SPERAVI
  • A 4. Octavi Toni
  • Chapter 6 DIXIT DOMINUS
  • Primi Toni
  • Chapter 7 CREDIDI
  • Terzo Tono. a 4 Voce pari
  • Chapter 8 BEATI OMNES
  • Quinti Toni
  • Chapter 9 LAUDATE PUERI
  • A 6. Doi Canti, Doi Tenori, & Doi Violini
  • Chapter 10 LAETATUS SUM
  • Concertato senza intonatione A 4
  • Chapter 11 LAUDATE PUERI
  • Concertato. A 4. con Violini se piace
  • Chapter 12 MAGNIFICAT
  • Concertato A 4. con Violini se piace
  • Chapter 13 DIXIT DOMINUS
  • A 4. Voci e Due Violini
  • Chapter 14 ISTE CONFESSOR
  • In Natali SS. Confessorum Tribus Vocibus cum secundo Choro

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