Differencing the canon : feminist desire and the writing of art's histories
著者
書誌事項
Differencing the canon : feminist desire and the writing of art's histories
（Re visions : critical studies in the history and theory of art）
Routledge, 1999
- : hbk
- : pbk
大学図書館所蔵 件 / 全25件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
この図書・雑誌をさがす
注記
Bibliography: p. 318-327
Includes index
内容説明・目次
内容説明
In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?
目次
Preface PART I Firing the canon 1 About canons and culture wars 2 Differencing: feminism's encounter with the canon PART II Reading against the grain: reading for ... 3 The ambivalence of the maternal body: re/drawing Van Gogh 4 Fathers of modern art: mothers of invention: cocking a leg at Toulouse-Lautrec PART III Heroines: setting women in the canon 5 The female hero and the making of a feminist canon: Artemisia 6 Feminist mythologies and missing mothers: Virginia Woolf, Charlotte Bronte, Artemisia Gentileschi and Cleopatra 7 Revenge: Lubaina Himid and the making of new narratives for new histories PART IV Who is the other? 8 Some letters on feminism, politics and modern art: when Edgar Degas shared a space with Mary Cassatt at the Suffrage Benefit Exhibition, New York 1915 9 A tale of three women: seeing in the dark, seeing double, at least, with Manet
「Nielsen BookData」 より