Key terms in popular music and culture

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Key terms in popular music and culture

edited by Bruce Horner and Thomas Swiss

Blackwell, 1999

  • : hdbk
  • : pbk

大学図書館所蔵 件 / 14

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

: hdbk ISBN 9780631212638

内容説明

Key Terms in Popular Music and Culture presents eighteen original essays by leading scholars in the field of popular music studies. Each essay - drawing widely on work in feminist, postcolonial, and cultural studies and the disciplines of musicology and literary criticism - maps the competing perspectives on one of the key terms in ongoing debates on the meaning of popular music and culture, discusses the history of continuities and conflicts in its meaning, and presents the writer's own views on its meaning and how he or she has come to adopt such a position.These essays combine to form a valuable overview of the state of popular music discourse at the end of the twentieth century. They will prove invaluable both to those new to the study of popular music and those already well-versed in popular music and cultural studies.

目次

  • Acknowledgments. Notes on contributors. Introduction: Putting It Into Words: Key Terms for Studying Popular Music
  • Bruce Horner (Drake University) and Thomas Swiss (Drake University). Part I: Locating Popular Music in Culture: 1. Ideology: Lucy Green (University of London). 2. Discourse: Bruce Horner (Drake University). 3. Histories: Gilbert Rodman (University of South Florida). 4. Institutions: David Sanjek (BMI Archives). 5. Politics: Robin Balliger (Stanford University). 6. Race: Russell Potter (Rhode Island College). 7. Gender: Holly Kruse (La Salle University). 8. Youth: Deena Weinstein (DePaul University). Part II: Locating Culture in Popular Music. 9. Popular: Anahid Kassabian (Fordham University). 10. Music: David Brackett (SUNY Binghamton). 11. Form: Richard Middleton (University of Newcastle upon Tyne). 12. Text: John Shepherd (Carleton University). 13. Images: Cynthia Fuchs (George Mason University). 14. Performance: David Shumway (Carnegie Mellon University). 15. Authorship: Will Straw (McGill University). 16. Technology: Paul Theberge (Concordia University). 17. Business: Mark Fenster (Yale Law School) and Thomas Swiss (Drake University). 18. Scenes: Sara Cohen (University of Liverpool). Index.
巻冊次

: pbk ISBN 9780631212645

内容説明

Original essays by leading scholars in the field of popular music studies map the competing perspectives on the key terms of contemporary debates on popular music and culture. Each essay describes the history of continuities and conflicts in a term's meaning, situating the writer's own position on the term in that history of debate. Providing a invaluable overview of the current state of popular music discourse, the collection will be useful both to those new to the study of popular music and those already well-versed in popular music and cultural studies.

目次

  • Acknowledgments. Notes on contributors. Introduction: Putting It Into Words: Key Terms for Studying Popular Music
  • Bruce Horner (Drake University) and Thomas Swiss (Drake University). Part I: Locating Popular Music in Culture:. 1. Ideology: Lucy Green (University of London). 2. Discourse: Bruce Horner (Drake University). 3. Histories: Gilbert Rodman (University of South Florida). 4. Institutions: David Sanjek (BMI Archives). 5. Politics: Robin Balliger (Stanford University). 6. Race: Russell Potter (Rhode Island College). 7. Gender: Holly Kruse (La Salle University). 8. Youth: Deena Weinstein (DePaul University). Part II: Locating Culture in Popular Music. 9. Popular: Anahid Kassabian (Fordham University). 10. Music: David Brackett (SUNY Binghamton). 11. Form: Richard Middleton (University of Newcastle upon Tyne). 12. Text: John Shepherd (Carleton University). 13. Images: Cynthia Fuchs (George Mason University). 14. Performance: David Shumway (Carnegie Mellon University). 15. Authorship: Will Straw (McGill University). 16. Technology: Paul Theberge (Concordia University). 17. Business: Mark Fenster (Yale Law School) and Thomas Swiss (Drake University). 18. Scenes: Sara Cohen (University of Liverpool). Index.

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