The analysis of film

著者

書誌事項

The analysis of film

Raymond Bellour ; edited by Constance Penley

Indiana University Press, c2000

  • : pbk

タイトル別名

Analyse du film

大学図書館所蔵 件 / 全19件

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注記

Includes bibliographical references and index

内容説明・目次

巻冊次

: pbk ISBN 9780253213648

内容説明

"No serious student of film should miss the great work collected in this volume."-W. A. Vincent, Choice "When so much writing about film is based on overall impressions or shadowy memories, on notes scribbled in the dark or published shot breakdowns that are often overgeneralized or even inaccurate, it is refreshing to be confronted with such scholarly work, characterized by a genuinely attentive eye and a punctilious observation of detail. This long-awaited collection, gathering Bellour's ground breaking studies into one volume, will surely be a crucial source of inspiration for future generations of film scholars." -Peter Wollen, Bookforum The Analysis of Film brings together Raymonds Bellour's now classic studies of classic Hollywood film. It is at once a book about the methods of close film analysis, the narrative structure of Hollywood film, Hitchcock's work-The Birds, Marnie, Psycho, North by Northwest-and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analyzing the supreme art form of the twentieth century. Bellour creatively reworks the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the Bodega Bay sequence of The Birds, the book goes on to examine every aspect of that singular critical practice, "the analysis of film." The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identification in Western cultural forms. A new, final chapter on D. W. Griffith's The Lonedale Operator brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginnings of cinema.

目次

Preface by Constance Penley A Bit of History 1. The Unattainable Text 2. System of a Fragment (on The Birds) 3. The Obvious and the Code (on The Big Sleep) 4. Symbolic Blockage (on North by Northwest) 5. To Segment/To Analyze (on Gigi) 6. To Enunciate (on Marnie) 7. Psychosis, Neurosis, Perversion (on Psycho) 8. To Alternate/ to Narrate (on The Lonedale Operator) Notes Works by Raymond Bellour Index
巻冊次

ISBN 9780253337009

内容説明

This text brings together Raymond Bellour's now-classic studies of Hollywood film, Hitchcock's work - "The Birds", "Marnie", "Psycho", "North by Northwest" - and the role of the woman in western representation. But, finally, it is a book about cinema itself and the love for cinema that drives the passion for analysing the supreme art form of the 20th century. Bellour creatively rewords the ideas and methods of structuralism, semiology, and psychoanalysis to unravel the knot of significations that is the filmic text. The introductory chapter sketches out a history of the way the close analysis of film developed. And then, beginning with a study of the "Bodega Bay" sequence of "The Birds", the book goes on to examine every aspects of that singular critical practice, the analysis of film. The book is also a model of how to write about the intricacies of film narrative, shot by shot, sequence by sequence, while addressing larger contextual issues of subjectivity, desire, and identificaiton in western cultural forms. A new, final chapter on D.W. Griffith's "The Lonedale Operator" brilliantly demonstrates that the dynamics of repetition and alternation that Bellour discovered to be the heartbeat of Hollywood narrative film were already there in nascent form at the beginning of cinema.

目次

  • A history - introduction, Raymond Bellour
  • the unattainable text - system of a fragment (on "The Birds") - the obvious and the code on (On "The Big Sleep")
  • symbolic blockage (on "North by Northwest")
  • segmenting/analysing (on "Gigi")
  • Hitchcock, the enunciator (on "Marnie")
  • psychosis, neurosis, perversion (on "Psycho")
  • to alternate/ to narrate (on "The Lonedale Operator")
  • selected bibliography of works by Raymond Bellour.

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