Untwisting the serpent : modernism in music, literature, and other arts
著者
書誌事項
Untwisting the serpent : modernism in music, literature, and other arts
University of Chicago Press, 2000
- : cloth
- : pbk.
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注記
Includes bibliographical references and index
内容説明・目次
- 巻冊次
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: cloth ISBN 9780226012537
内容説明
From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In this text Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media - Igor Stravinsky's "The Rite of Spring" is a ballet, Gertrude Stein's "Four Saints in Three Acts" is an opera, and Pablo Picasso turned his cubist paintings into costumes for "Parade". Focusing on collaborations with a musical component, Albright views these works as either figures of dissonance that try to retain the distinctness of their various media (e.g. Guillaume Apollinaire's "Les Mamelles de Tiresias") or figures of consonance that try to lose themselves in some total effect (such as Arnold Schoenberg's "Erwartung"). In so doing he offers a fresh picture of Modernism, and provides a model for the analysis of all artistic collaborations.
- 巻冊次
-
: pbk. ISBN 9780226012544
内容説明
From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In this text Daniel Albright shows that this perception arises partly because we usually consider each art form in isolation, even though many of the most important artistic experiments of the Modernists were collaborations involving several media - Igor Stravinsky's "The Rite of Spring" is a ballet, Gertrude Stein's "Four Saints in Three Acts" is an opera, and Pablo Picasso turned his cubist paintings into costumes for "Parade." Focusing on collaborations with a musical component, Albright views these works as either figures of dissonance that try to retain the distinctness of their various media (e.g. Guillaume Apollinaire's "Les Mamelles de Tiresias") or figures of consonance that try to lose themselves in some total effect (such as Arnold Schoenberg's "Erwartung"). In so doing he offers a fresh picture of Modernism, and provides a model for the analysis of all artistic collaborations.
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