Drawing acts : studies in graphic expression and representation

書誌事項

Drawing acts : studies in graphic expression and representation

David Rosand

Cambridge University Press, 2002

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注記

Bibliography: p. 389-404

Includes index

内容説明・目次

内容説明

Drawing Acts is about drawing, both as art and act. Taking the study of drawings beyond the traditional agenda of connoisseurship, David Rosand explores the significance of their making, the meaning in the line of the draftsman, and the recreative dimension of critical response. The book focuses on drawings by Leonardo da Vinci, Raphael, Michelangelo, Rembrandt, Piranesi, Tiepolo, and Picasso, as well as on the history and theory of the medium itself. It seeks to establish new foundations for the criticism and appreciation of drawing, which is often considered the most revealing record of artistic creativity, offering the most direct expression of the artistic self. David Rosand is the Meyer Schapiro Professor of Art History at Columbia University, where he also serves as chairman of the Miriam and Ira D. Wallach Gallery. His many publications range from the Renaissance to modern art and include Myths of Venice (University of North Carolina Press, 2001) and Robert Motherwell on Paper (Harry N. Abrams, 1997).

目次

  • 1. Criticism, connoisseurship, and the phenomenology of drawing
  • 2. Disegno: the invention of an art
  • 3. The handwriting of the self: Leonardo da Vinci
  • 4. Raphael and the calligraphy of classicism
  • 5. Disegni a stampa: the printed line
  • 6. Michelangelo: the urgent gesture
  • 7. Rembrandt's reach
  • 8. Capriccio: the Antic Line.

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詳細情報

  • NII書誌ID(NCID)
    BA58677464
  • ISBN
    • 052177330X
  • LCCN
    01025624
  • 出版国コード
    uk
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    Cambridge
  • ページ数/冊数
    xxv, 419 p.
  • 大きさ
    29 cm
  • 分類
  • 件名
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