Counterpoint, composition, and musica ficta

著者

• Bent, Margaret

書誌事項

Counterpoint, composition, and musica ficta

Margaret Bent

（Criticism and analysis of early music）

Routledge, 2002

注記

Includes bibliographical references and index

"Criticism and analysis of early music; v. 4"--CIP data

内容説明・目次

内容説明

Musica ficta is the practice of sharpening or flattening certain notes to avoid awkward intervals in medieval and Renaissance music. This collection gathers Margaret Bent's influential writings on this controversial subject from the past 30 years, along with an extensive author's introduction discussing the current state of scholarship and responding to critics. Also includes 25 musical examples.

目次

I. Musica Recta and Musica Ficta II. Pycard's Credo No. 76 III. Renaissance Counterpoint and Musica Ficta IV. Diatonic Ficta V. Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica Dicatonic ficta Revisited: Josquion's Ave Maria in Context VII. Editing Early Music: The Dilemma of Translation VIII. Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus tenor IX. Pycard's Double Canon: Evidence of Revision? X. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications XI. Resfacta and Cantare super librum

「Nielsen BookData」 より

詳細情報

• NII書誌ID(NCID): BA58678387
• ISBN:
  • 0815334974
• LCCN: 2001048110
• 出版国コード: us
• タイトル言語コード: eng
• 本文言語コード: eng
• 出版地: New York
• ページ数/冊数: xi, 336 p.
• 大きさ: 24 cm
• 分類:
  • LCC : ML174
• 件名:
  • LCSH : Musica ficta
  • LCSH : Counterpoint
  • LCSH : Composition (Music)
  • LCSH : Music theory -- History -- 500-1400
  • LCSH : Music theory -- History -- 15th century
• 親書誌ID:
  • BA39114806