The changing garden : four centuries of European and American art
著者
書誌事項
The changing garden : four centuries of European and American art
（Ahmanson・Murphy fine arts imprint）
University of California Press, c2003
- : cloth
- : pbk
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注記
"The Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, California June 11-September 7, 2003, the Dixon Art Gallery and Gardens, Memphis, Tennessee, October 19, 2003-January 11, 2004, the University of Michigan Museum of Art, Ann Arbor, Michigan, March 13-May 23, 2004"--T.p. verso
Includes bibliographical references and index
内容説明・目次
- 巻冊次
-
: cloth ISBN 9780520238824
内容説明
This beautifully illustrated volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to such democratic urban parks as New York City's Central Park and San Francisco's Crissy Field, adapted from a former military base. Artists' representations of gardens have been organized first to highlight design concepts and individual features, then to focus on historic gardens and parks, and finally to survey the activities within those settings. Among the earliest works included is an engraving of a drawing made in 1570 by Pieter Bruegel the Elder of a garden being vigorously cultivated by many workers. Two centuries later, Giovanni Battista Piranesi and Jean-Honore Fragonard represented the Villa d'Este at Tivoli in a state of neglected grandeur; Hubert Robert's painting of Mereville depicted a garden he helped design.
By 1900 Eugene Atget's photographs of Versailles and Camille Pissarro's paintings of the Tuileries convey the enduring structure of French formal gardens. In contrast, American artists Maurice Prendergast, John Singer Sargent, and James McNeill Whistler depicted the pleasures of social activities in that setting. Photographs by Michael Kenna and Bruce Davidson offer contemporary perspectives on these issues.
目次
Director's Foreword Acknowledgments Lenders to the Exhibition The Artist and the Changing Garden Betsy G. Fryberger Representing the Social and Cultural Experiences of Italian Gardens in Prints Claudia Lazzaro The Garden Print as Propaganda, 1573-1683 Elizabeth S. Eustis Mereville: Last Masterwork of the Eighteenth-Century Landscape Garden in France Diana Ketcham City Parks and Private Gardens in Paintings of Modern America, 1875-1920 Carol M. Osborne Resurrection: The Built Landscapes of George Hargreaves Paula Deitz Catalogue of the Exhibition Designing Gardens Historic Examples Gatherings and Activities in Garden Settings Index Photographic Credits Photographic Credits
- 巻冊次
-
: pbk ISBN 9780520238831
内容説明
This beautifully illustrated volume examines the garden as an enduring and evolving cultural resource, in two hundred works by more than one hundred artists. Prints, drawings, photographs, and paintings illuminate the changing aesthetics and uses of gardens from sixteenth-century Italian villas and Louis XIV's Versailles to such democratic urban parks as New York City's Central Park and San Francisco's Crissy Field, adapted from a former military base. Artists' representations of gardens have been organized first to highlight design concepts and individual features, then to focus on historic gardens and parks, and finally to survey the activities within those settings. Among the earliest works included is an engraving of a drawing made in 1570 by Pieter Bruegel the Elder of a garden being vigorously cultivated by many workers. Two centuries later, Giovanni Battista Piranesi and Jean-Honore Fragonard represented the Villa d'Este at Tivoli in a state of neglected grandeur; Hubert Robert's painting of Mereville depicted a garden he helped design.
By 1900 Eugene Atget's photographs of Versailles and Camille Pissarro's paintings of the Tuileries convey the enduring structure of French formal gardens. In contrast, American artists Maurice Prendergast, John Singer Sargent, and James McNeill Whistler depicted the pleasures of social activities in that setting. Photographs by Michael Kenna and Bruce Davidson offer contemporary perspectives on these issues.
目次
Director's Foreword Acknowledgments Lenders to the Exhibition The Artist and the Changing Garden Betsy G. Fryberger Representing the Social and Cultural Experiences of Italian Gardens in Prints Claudia Lazzaro The Garden Print as Propaganda, 1573 1683 Elizabeth S. Eustis Mereville: Last Masterwork of the Eighteenth-Century Landscape Garden in France Diana Ketcham City Parks and Private Gardens in Paintings of Modern America, 1875 1920 Carol M. Osborne Resurrection: The Built Landscapes of George Hargreaves Paula Deitz Catalogue of the Exhibition Designing Gardens Historic Examples Gatherings and Activities in Garden Settings Index Photographic Credits Photographic Credits
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