The crossing of the visible
著者
書誌事項
The crossing of the visible
（Cultural memory in the present）
Stanford University Press, 2004
- : hbk
- : pbk
- タイトル別名
-
La croisée du visible
大学図書館所蔵 件 / 全8件
-
該当する所蔵館はありません
- すべての絞り込み条件を解除する
この図書・雑誌をさがす
注記
Includes bibliographical references
HTTP:URL=http://www.loc.gov/catdir/toc/ecip049/2003021461.html Information=Table of contents
内容説明・目次
内容説明
Painting, according to Jean-Luc Marion, is a central topic of concern for philosophy, particularly phenomenology. For the question of painting is, at its heart, a question of visibility-of appearance. As such, the painting is a privileged case of the phenomenon; the painting becomes an index for investigating the conditions of appearance-or what Marion describes as "phenomenality" in general.
In The Crossing of the Visible, Marion takes up just such a project. The natural outgrowth of his earlier reflections on icons, these four studies carefully consider the history of painting-from classical to contemporary-as a fund for phenomenological reflection on the conditions of (in)visibility. Ranging across artists from Raphael to Rothko, Caravaggio to Pollock, The Crossing of the Visible offers both a critique of contemporary accounts of the visual and a constructive alternative. According to Marion, the proper response to the "nihilism" of postmodernity is not iconoclasm, but rather a radically iconic account of the visual and the arts that opens them to the invisible.
「Nielsen BookData」 より
