書誌事項

The sixteenth century Italian paintings

Nicholas Penny

(National Gallery catalogues)

National Gallery , Distributed by Yale University Press, 2004-

  • v. 1
  • v. 2
  • v. 3

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注記

Statement of responsibility: v. 3: Giorgia Mancini and Nicholas Penny

Contents: v. 1. Paintings from Bergamo, Brescia and Cremona -- v. 2. Venice, 1540-1600 -- v. 3. Bologna and Ferrara

Includes bibliographical references (v. 1: p. 397-414, v. 2: p. 476-499, v. 3: p. 490-516) and indexes

内容説明・目次

巻冊次

v. 3 ISBN 9781857093391

内容説明

This new volume in the series of National Gallery collection catalogues focuses on 16th-century Bologna and Ferrara. The Gallery holds the most important collection of these paintings outside Italy, including works by Garofalo representing his entire range as an artist; exquisite and grotesque miniature narratives by Mazzolino; a large masterpiece by the short-lived genius known as Ortolano; and some of the most dazzling paintings by the eccentric Dosso Dossi. There are two altarpieces by Lorenzo Costa along with his highly original Concert, and Francesco Francia's Buonvisi altarpiece. The book defines the special quality of works from the region, but also traces the influence of Perugino, Raphael, and Titian. New archival and technical research and provenance information reveal the fortunes of artists' reputations across a long arc in the history of taste. Published by National Gallery Company/Distributed by Yale University Press
巻冊次

v. 1 ISBN 9781857099089

内容説明

This highly anticipated catalogue of sixteenth-century paintings from the distinguished collection of the National Gallery in London encompasses artists who were active in Bergamo, Brescia, and Cremona, cities characterized as much by the artistic interaction between them as by the influence of Venice. The artists include such well-known names as Lorenzo Lotto, Moretto, and Moroni, along with less familiar ones such as Bartolomeo Veneto and Callisto Piazza. For each of the paintings, distinguished scholar and curator Nicholas Penny provides information about technique and materials, conservation and condition, and subject and iconography. An account of the painting's original patronage is followed by a discussion of changing tastes, interpretation, and how the picture was esteemed (or neglected) over the centuries. One third of the paintings catalogued here are portraits, and entries include fascinating sections on contemporary dress, furnishings, and accessories. An appendix provides an illuminating account of some of the great collectors and collections of the past. Published by National Gallery Company/Distributed by Yale University Press
巻冊次

v. 2 ISBN 9781857099133

内容説明

This substantial and beautifully illustrated volume documents the National Gallery's unrivaled collection of Venetian paintings created between 1540 and 1600, including some of the greatest works commissioned by the city from Veronese, Titian, Tintoretto, and the Bassano family. The collection is so rich and varied that the book serves as an introduction to all the major types of painting produced in Venice during this period--the altarpiece, portrait, confraternity chapel decoration, ceiling and furniture painting, and paintings for the portego (long central hall) of a palace. Among the many important works included are Titian's Vendramin Family Venerating a Relic of the True Cross, Veronese's Family of Darius and four Allegories, and Tintoretto's Origin of the Milky Way. Nicholas Penny provides comprehensive and detailed information reflecting the most up-to-date scholarship on the paintings--many of which have passed through some of the greatest collections in Europe--along with a thorough discussion of their provenance. Published by National Gallery Company/Distributed by Yale University Press

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