New punk cinema
著者
書誌事項
New punk cinema
（Traditions in world cinema / general editor, Steven Jay Schneider ; associate editors, Linda Badley, R. Barton Palmer）
Edinburgh University Press, c2005
- : pbk
- : hbk
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注記
Includes bibliographical references (p. 204-212) and index
収録内容
- Punk cinema / Stacy Thompson
- Italian neo-realist influences / Jay McRoy
- The French new wave : new again / Timothy Dugdale
- Sincerity and irony / Nicholas Rombes
- DVD and the new cinema of complexity / Graeme Harper
- Digital technologies and the poetics of performance / Bruno Lessard
- Navigating chaos / Silvio Gaggi
- Non-linear narrative / Bruce Isaacs
- Making it real / Steven Rubio
- Dogma brothers : Lars von Trier and Thomas Vinterberg / Shohini Chaudhuri
- Mike Figgis : Time code and the screen / Constantine Verevis
- What was the neo-underground and what wasn't : a first reconsideration of Harmony Korine / Benjamin Halligan
- Repo man : reclaiming the spirit of punk with Alex Cox / Xavier Mendik
内容説明・目次
- 巻冊次
-
: hbk ISBN 9780748620340
内容説明
Post-Punk cinema is the first book to examine a vital new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream
- 巻冊次
-
: pbk ISBN 9780748620357
内容説明
New Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream. New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema. Features * Offers a comprehensive examination of the term 'new punk' cinema.
* Provides several new approaches for the study of digital cinema. * Includes close analysis of several key new punk films and directors.
目次
- Introduction
- PART ONE: BACKGROUND AND CONTEXTS
- 1. Punk Cinema
- 2. Italian Neorealist Influences
- 3. The French New Wave: New Again
- 4. Sincerity and Irony
- PART TWO: SCREENING POST-PUNK CINEMA
- 5. DVD and the New Cinema of Complexity
- 6. Digital Technologies and the Poetics of Performance
- 7. Navigating Chaos
- 8. Non-Linear Narrative
- 9. Making It Real
- PART THREE: CASE STUDIES
- 10. Dogma brothers: Lars von Trier and Thomas Vinterberg
- 11. Mike Figgis: Time Code and the Screen
- 12. What Was the Neo-Underground and What Wasn't: A First Reconsider of Harmony Korine
- 13. Repo Man: Reclaiming the Spirit of Punk with Alex Cox.
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