Ritual opera and mercantile lineage : the Confucian transformation of popular culture in late Imperial Huizhou
著者
書誌事項
Ritual opera and mercantile lineage : the Confucian transformation of popular culture in late Imperial Huizhou
Stanford University Press, 2005
- : cloth
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Ritual opera & mercantile lineage
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注記
Includes bibliographical references (p. [317]-349) and index
内容説明・目次
内容説明
This book analyzes Confucian ideology as culture and culture as history by exploring the interplay between popular ritual performance of the opera Mulian and gentrified mercantile lineages in late imperial Huizhou. Mulian, originally a Buddhist tale featuring the monk Mulian's journey through the underworld to save his mother, underwent a Confucian transformation in the sixteenth century against a backdrop of vast socioeconomic, intellectual, cultural, and religious changes. The author shows how local elites appropriated the performance of Mulian, turning it into a powerful medium for conveying orthodox values and religious precepts and for negotiating local social and gender issues altered by the rising money economy. The sociocultural approach of this historical study lifts Mulian out of the exorcistic-dramatic-ethnographic milieu to which it is usually consigned. This new approach enables the author to develop an alternative interpretation of Chinese popular culture and the Confucian tradition, which in turn sheds significant new light upon the social history of late imperial China.
目次
Table of Contents for Ritual Opera and Mercantile Lineage List of Map, Figures, and Tables List of Abbreviations List of Reign Periods of the Ming and Qing Dynasties Acknowledgments Introduction Part One: The Setting 1. A Gentrified Kinship Society 2. Huizhou Merchants and mercantile Lineage Culture Part Two: The Script 3. The Mulian Legacy 4. The Confucian Transformation of the Mulian Tradition Part Three: The Performance 5. An Integrated Tradition: Mulian Scripts and Female Chastity 6. A Shared Culture: Ritual Opera and Mercantile Lineage Conclusion Appendix A: Extant Mulian Operatic Scripts Appendix B: Huizhou Ancestral Halls (ca. 1500-1644) Appendix C: Homophonic and Graphic Substitutions and Sardonic Characters in Mulian Scripts Notes Glossary Bibliography Index
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