Artists' self-portraits
著者
書誌事項
Artists' self-portraits
Abbeville Press, 2006
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注記
Includes bibliographical references (p. 384-385) and index
"English-language edition" -- T. p. verso
内容説明・目次
内容説明
An insightful, lavishly illustrated history of self-portraits by well-known artists from early examples in classical times through its flowering in the Renaissance to modern interpretations.
In his fascinating survey, art historian Omar Calabrese reveals that self-portraits through the ages are both a reflection of the artist and of the period in which the artist lived. Organized thematically, the author first presents a basic definition of the genre of the self-portrait, interpreting the picture to be a manifestation of self identity, and including examples from an Egyptian tomb painting and pictures on stained glass during the Middle Ages and continuing to modern times.
The next chapter focuses on the turning point for the establishment of the genre during the Renaissance when the status of the painter or sculptor was raised from artisan to artist and, as a result, portraits of the artist were considered worthwhile pictures. At first a self-portrait was hidden in a narrative painting: an artist would paint his image as part of a crowd scene, for example, or as a mythological figure. On the other extreme, once the genre was accepted, it was practiced by some artists- Rembrandt, van Gogh, Munch, and Dali, for instance-as almost an obsession. In contemporary art the self-portrait can become a deconstructed genre with the artist hiding or satirizing himself until he nearly disappears on the canvas.
Among the 300 pictures featured here are examples by such artists as Albrecht Durer, Velazquez, Elisabeth Vigee-Lebrun, Ingres, Degas, Toulouse-Lautrec, Gainsborough, Matisse, James Ensor, Egon Schiele, Frida Kahlo, Man Ray, Henry Moore, Robert Rauschenberg, Norman Rockwell, and Roy Lichtenstein.
This intriguing book is a fresh way to appreciate the history of art and to understand that a self-portrait is far more complex and meaningful than merely a portrait of the artist.
目次
Introduction 23 1 The Artist's Signature The problem of identity from antiquity to the middle ages 29 2 Precursors to Alfred Hitchcock The self-portrait as an aside 49 3 "Je est un autre" The self-portrait as an historic figure 85 4 Created by Myself The self-portrait as a sign of intellectual autonomy 125 5 The Artist and His Double The contradictions of the mirror 161 6 Prominent Artists The self-portrait as a sign of celebrity 183 7 Questions of Genre Women and the self-portrait 215 8 Recurring Motifs The artist as a technician 249 9 Born under Saturn The self-portrait and private passions 283 10 Confessions The autobiographical self-portrait 315 11 Where Is the Image? The negation of the self-portrait 345 Conclusion 379 Notes 381 Bibliography 384 Index of Names 386
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