A staggering revolution : a cultural history of thirties photography

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A staggering revolution : a cultural history of thirties photography

John Raeburn

University of Illinois Press, c2006

  • : cloth
  • : pbk

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Includes index

内容説明・目次

巻冊次

: cloth ISBN 9780252030840

内容説明

During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's "A Staggering Revolution" recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. "A Staggering Revolution" includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and, Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League. Raeburn's expansive study explains how the democratic atmosphere of thirties photography nourished innovation and encouraged new heights of artistic achievement. It also produced the circumstances that permitted artful photography to become such a thriving public enterprise during the decade. "A Staggering Revolution" offers an illuminating analysis of the sociology of photography's art world and its galleries and exhibitions, but also demonstrates the importance of the novel venues created by impresarios and others that proved essential to photography's extraordinary dissemination. These new channels, including camera magazines and annuals, volumes of pictures enhanced by text, and omnibus exhibitions in unconventional spaces, greatly expanded photography's cultural visibility. They also made its enthusiastic audience larger and more heterogeneous than ever before - or since.
巻冊次

: pbk ISBN 9780252073229

内容説明

During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburn's A Staggering Revolution recreates the energy of the era by surveying photography's rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed public's imagination. While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decade's other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichen's celebrity portraiture; Berenice Abbott's Changing New York project; the Photo League's ethnography of Harlem; and Edward Weston's western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-White's industrial and documentary pictures, the collective undertakings by California's Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.

目次

Preface ix Acknowledgments xv A Calendar of Thirties Photography xvii 1. The Rebirth of Photography in the Thirties 1 2. Disestablishing Stieglitz 19 3. Group f.64 and the Problem of California Photography 30 4. An Eastern Beachhead 48 5. Edward Steichen and Celebrity Photography 61 6. MoMA's "Big Top" Show 80 7. Camera Periodicals and the Popular Audience 93 8. Culture Morphology in Berenice Abbott's New York 114 9. Farm Security Administration Photography and the Dilemmas of Art 143 10. Farm Security Administration Photography in the Aura of Art 162 11. The Nation's Newsstands 194 12. The Photo League, Lewis Hine, and the Harlem Document 219 13. Seeing California with Edward Weston 246 14. Photography at High Tide 276 Afterword: "The Cultural Establishment of Photography" 293 Notes 303 Index 361 Photographs follow page 302

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