Signatures of the visible

書誌事項

Signatures of the visible

Frederic Jameson

(Routledge classics)

Routledge, 2007, c1992

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注記

First published: 1992

"With an introduction by the author"

Includes bibliographical references and index

内容説明・目次

内容説明

In such celebrated works as Postmodernism: The Cultural Logic of Late Capitalism, Fredric Jameson has established himself as one of America's most observant cultural commentators. In Signatures of the Visible, Jameson turns his attention to cinema - the artform that has replaced the novel as the defining cultural form of our time. Historicizing a form that has flourished in a post-modern and anti-historical culture, he explores the allegorical and ideological dimensions of such films as The Shining, Dog Day Afternoon and the works of Alfred Hitchcock, among many others. Fifteen years on from its original publication, this remains a piercing and original analysis of film from a writer and thinker whose influence continues to be felt long after that of the fashionable post-modernists he has always critiqued.

目次

Introduction Part 1: 1. Reification and Utopia in Mass Culture 2. Class and Allegory in Contemporary Mass Culture: Dog Day Afternoon as a Political Film 3. Diva and French Socialism 4. 'In the destructive element immerse': Hans-Jurgen Syberberg and Cultural Revolution 5. Historicism in The Shining 6. Allegorizing Hitchcock 7. On Magic Realism in Film Part 2: 8. The Existence of Italy Notes Index

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詳細情報

  • NII書誌ID(NCID)
    BA82035995
  • ISBN
    • 9780415771610
  • LCCN
    2006031262
  • 出版国コード
    us
  • タイトル言語コード
    eng
  • 本文言語コード
    eng
  • 出版地
    New York
  • ページ数/冊数
    x, 350 p.
  • 大きさ
    20 cm
  • 分類
  • 件名
  • 親書誌ID
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