The eternal present of the past : illustration, theater, and reading in the Wanli period, 1573-1619
著者
書誌事項
The eternal present of the past : illustration, theater, and reading in the Wanli period, 1573-1619
（China studies / editors, Glen Dudbridge, Frank Pieke, v. 12）
Brill, 2007
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注記
Includes bibliographical references (p. [313]-334) and index
内容説明・目次
内容説明
This study draws together various elements in late Ming culture - illustration, theater, literature - and examines their interrelation in the context of the publication of drama. It examines a late Ming conception of the stage as a mystical space in which the past was literally reborn within the present. This temporal conflation allowed the past to serve as a vigorous and immediate moral example and was considered a hugely important mechanism by which the continuity of the Confucian tradition could be upheld.
By using theatrical conventions of stage arrangement, acting gesture, and frontal address, drama illustration recreated the mystical character of the stage within the pages of the book, and thus set the conflation of past and present on a broader footing.
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