The new film history : sources, methods, approaches
著者
書誌事項
The new film history : sources, methods, approaches
Palgrave Macmillan, 2007
- : hbk
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注記
Includes bibliographical references and index
内容説明・目次
内容説明
The first major overview of the field of film history in twenty years, this book offers a wide-ranging account of the methods, sources and approaches used by modern film historians. The key areas of research are analysed, alongside detailed case studies centred on well-known American, Australian, British and European films.
目次
- Notes on Contributors INTRODUCTION: The New Film History
- J.Chapman, M.Glancy & S.Harper PART 1: HISTORY Gone With the Wind (1939) and the Lost Cause: A Critical View
- M.Stokes History and Representation: The Case of 1970s British Cinema
- S.Harper Gallipoli (1981): 'A Poignant Search For National Identity'
- M.Connelly 'This Ship is England': History, Politics and National Identity in Master and Commander: The Far Side of the World (2003)
- J.Chapman PART 2: AUTHORSHIP Art In Context: British Film Design of the 1940s
- L.Ede The Author as Author: Restoring the Screenwriter to British Film History
- A.Spicer When 'Hanoi Jane' Conquered Hollywood: Jane Fonda's Films and Activism, 1977-81
- P.Kramer PART 3: GENRE The Politics of the Swashbuckler
- J.Richards The Stalinist Musical
- R.Taylor Now Voyager (1942): Melodrama Then and Now
- M.Shingler From Gangster to Gangsta: The Hood Film's Criminal Allegiance with Hollywood
- J.Munby PART 4: RECEPTION Blackmail (1929): Hitchcock and Film Nationalism
- M.Glancy British Cinema, American Reception: Black Narcissus (1947) and the Legion of Decency
- S.Street Studying Cross-Cultural Marketing and Reception: Ingmar Bergman's Persona (1966)
- I.Stigsdotter & T.Bergfelder The Wicker Man (1973) Email Digest: A Case Study in Web Ethnography
- J.Smith Index
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