Theater, film, and television

書誌事項

Theater, film, and television

edited by Todd Boyd

(African Americans and popular culture, v. 1)

Praeger, 2008

大学図書館所蔵 件 / 31

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注記

Includes bibliographical references and index

内容説明・目次

内容説明

The African American influence on popular culture is among the most sweeping and lasting this country has seen. Despite a history of institutionalized racism, black artists, entertainers, and entrepreneurs managed to forge deep relationships within American popular culture. Pioneers such as Oscar Michaeux, Paul Robeson, Satchel Paige, Josh Gibson, Langston Hughes, Bill "Bojangles" Robinson, and Ella Fitzgerald paved the way for Jackie Robinson, Louis Armstrong, James Baldwin, Bill Russell, Muhammad Ali, Sidney Poitier, and Bill Cosby, who in turn opened the door for Spike Lee, Dave Chappelle, Dr. Dre, Jay-Z, Tiger Woods, and Michael Jordan. Though there are still many more miles to travel and much to overcome, this three-volume set considers the multifaceted influence of African Americans on popular culture, and sheds new light on the ways in which African American culture has come to be a fundamental and lasting part of America itself. By presenting essays that are both overviews and arguments, this set will equip the public with compelling background information on central issues, along with provocative, thorough reflections on the implications of those issues in our world. In order to articulate the momentous impact African American popular culture has had upon the fabric of American society, these three volumes provide analyses from academics and experts across the country. The purpose of the volumes is to provide the most reliable, accurate, up-to-date, and comprehensive treatment of key topics, works, and themes in African American popular culture for a new generation of readers. The scope of the project is vast, including: popular historical movements like the Harlem Renaissance;the legacy of African American comedy; African Americans and the Olympics; African Americans and rock 'n roll; more contemporary articulations such as hip hop culture and black urban cinema; and much more. Part of this project is to recuperate histories that have been perhaps forgotten or obscured to mainstream audiences and demonstrate how African Americans are not only integral to American culture, but how they have always been purveyors of popular culture.

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