Performance, iconography, reception : studies in honour of Oliver Taplin

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書誌事項

Performance, iconography, reception : studies in honour of Oliver Taplin

edited by Martin Revermann and Peter Wilson

Oxford University Press, 2008

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注記

Includes bibliographical references and index

収録内容

  • Generic boundaries in late fifth-century Athens / Helene P. Foley
  • Audience and emotion in the reception of Greek drama / Ian Ruffell
  • Greek middlebrow drama (something to do with Aphrodite?) / Mark Griffith
  • Costing the Dionysia / Peter Wilson
  • Nothing to do with Demeter? Something to do with Sicily! : theatre and society in the early fifth-century West / Barbara Kowalzig
  • The Odyssey as performance poetry / Oswyn Murray
  • Performance and rivalry : Homer, Odysseus, and Hesiod / Adrian Kelly
  • Performing the will of Zeus : the Διὸς βουλή and the scope of early Greek epic / William Allan
  • Theatrical furies : thoughts on Eumenides / Pat Easterling
  • Aeschylus' Eumenides, Chronotopes, and the "aetiological mode" / Martin Revermann
  • Star choruses : Eleusis, Orphism, and new musical imagery and dance / Eric Csapo
  • The last word : ritual, power, and performance in Euripides' Hiketides / Athena Kavoulaki
  • Intimate relations : children, childbearing, and parentage on the euripidean stage / Froma I. Zeitlin
  • Character and characterization in Greek tragedy / Bernd Seidensticker
  • Scenes at the door in aristophanic comedy / Peter Brown
  • The poetics of the mask in old comedy / David Wiles
  • Putting performance into focus / Robin Osborne
  • The Greek gem : a token of recognition / Alfonso Moreno
  • Image and representation in the pottery of Magna Graecia / François Lissarrague
  • Wagner's Greeks : the politics of hellenism / Simon Goldhill
  • Resurrecting ancient Greece in Nazi Germany : the Oresteia as part of the Olympic Games in 1936 / Erika Fischer-Lichte
  • Can the Odyssey ever be tragic? : historical perspectives on the theatrical realization of Greek epic / Edith Hall
  • An Oedipus for our times? : Yeats's version of Sophocles' Oedipus Tyrannos / Fiona Macintosh

内容説明・目次

内容説明

Performance, Reception, Iconography assembles twenty-three papers from an international group of scholars who engage with, and develop, the seminal work of Oliver Taplin. Oliver Taplin has for over three decades been at the forefront of innovation in the study of Greek literature, and of the Greek theatre, tragic and comic, in particular. The studies in this volume centre on three key areas - the performance of Greek literature, the interactions between literature and the visual realm of iconography, and the reception and appropriation of Greek literature, and of Greek culture more widely, in subsequent historical periods.

目次

  • Introduction
  • PERFORMANCE: EXPLORATIONS
  • 1. Generic Boundaries in Late Fifth-Century Athens
  • 2. Audience and Emotion in the Reception of Greek Drama
  • 3. Greek Middle-Brow Drama (Something to do with Aphrodite?)
  • 4. Costing the Dionysia
  • 5. Nothing to do with Demeter? Something to do with Sicily! Theatre and Society in the Early Fifth-Century West
  • PERFORMANCE: EPIC
  • 6. The Odyssey as Performance Poetry
  • 7. Performance and Rivalry: Homer, Odysseus, and Hesiod
  • 8. Performing the Will of Zeus: The Dios boule and the Scope of Early Greek Epic
  • PERFORMANCE: TRAGEDY
  • 9. Theatrical Furies: Thoughts on Eumenides
  • 10. Aeschylus' Eumenides, Chronotopes, and the 'Aetiological Mode'
  • 11. Star Choruses: Eleusis, Orphism, and New Musical Imagery and Dance
  • 12. The Last Word: Ritual, Power, and Performance in Euripides' Hiketides
  • 13. Intimate Relations: Children, Childbearing, and Parentage on the Euripidean Stage
  • 14. Character and Characterization in Greek Tragedy
  • PERFORMANCE: COMEDY
  • 15. Scenes at the Door in Aristophanic Comedy
  • 16. The Poetics of the Mask in Old Comedy
  • PERFORMANCE: ICONOGRAPHY
  • 17. Putting Performance into Focus
  • 18. The Greek Gem: A Token of Recognition
  • 19. Image and Representation in the Pottery of Magna Graecia
  • PERFORMANCE: RECEPTION
  • 20. Wagner's Greeks: The Politics of Hellenism
  • 21. Resurrecting Ancient Greece in Nazi German: The Oresteia as Part of the Olympic Games in 1936
  • 22. Can the Odyssey ever be Tragic? Historical Perspectives on the Theatrical Realization of Greek Epic
  • 23. An Oedipus for our Times? Yeats's Version of Sophocles' Oedipus Tyrannos

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