Johannes Brahms. "free but alone" : a life for a poetic music

書誌事項

Johannes Brahms. "free but alone" : a life for a poetic music

Constantin Floros ; translated by Ernest Bernhardt-Kabisch

Peter Lang, c2010

  • : hbk

タイトル別名

Johannes Brahms, "frei aber einsam"

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注記

Includes bibliographical references (p. 230-242) and indexes

内容説明・目次

内容説明

Johannes Brahms was until now widely regarded as the archetype of the "absolute musician". Based on new research, the study shows how close autobiographic and poetic elements are in fact linked to his oeuvre. Like Robert Schumann, Brahms subscribed to an aesthetic of "poetic" music. In many of his compositions he got his inspiration from personal experiences, poems or images, as is shown by hitherto unpublished documents, letters, and diary entries, as well as from close analyses of individual works. Brahms's personality, too, is seen in a new way. He adopted Joseph Joachim's motto "Frei, aber einsam", "Free but Alone". The tonal code F - A - E, the musical symbol of this, recurs frequently in his works. Not least, the English version of the book, originally published in German in 1997, includes four additional chapters that investigate novel aspects by dealing in detail with the First Symphony, the German Requiem, Nanie and the Four Serious Songs. The American Brahms Society stressed the importance of the study for all those who want to come to know the unknown Brahms.

目次

Contents: "Frei aber einsam": Solitude as the price of Freedom - Polarities - A "prickly" character - Tone ciphers - Biographical backgrounds in Brahms's music - Between the Fronts - The Principle of Hope - The second Beethoven? - The relation to Schumann - Poetic elements in the piano music - Violin Sonatas from Songs - First and Fourth Symphony - A German Requiem - Nanie - Four Serious Songs - Hanslick's Image of Brahms - A Janus Head - Why Brahms is so universally beloved.

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