Spanish art in Britain and Ireland, 1750-1920 : studies in reception in memory of Enriqueta Harris Frankfort

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書誌事項

Spanish art in Britain and Ireland, 1750-1920 : studies in reception in memory of Enriqueta Harris Frankfort

edited by Nigel Glendinning & Hilary Macartney ; contributors, Nigel Glendinning ... [et al.] ; with reprints of three essays by the late Enriqueta Harris Frankfort

（Colección Támesis, Serie A . Monografías ; 290）

Tamesis, 2010

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注記

Includes bibliographical references (p. 255-289)

内容説明・目次

内容説明

From the Golden Age to Goya. This is the first study wholly devoted to reception of Spanish art in Britain and Ireland. Examining the extent and sources of knowledge of Spanish art in the British Isles during an age of increasing contact, particularly in theaftermath of the Peninsular War, it contains contributions by leading scholars, including reprints of three essays by Enriqueta Harris Frankfort, to whose memory this book is dedicated. Focusing on Spanish art from the Golden Age to Goya, these studies chart the growth in understanding and appreciation of the Spanish School, and its punctuation by controversies and continuing distrust of religious images in Protestant Britain, as well as by the successive `discoveries' of individual artists - Murillo, Velazquez, Ribera, Zurbaran, El Greco and Goya. The book publishes important new research on art importation, collecting and dealing, and discusses the increase in access to andscholarship on works of art, including their reproduction through both traditional prints and copies and the newly invented photographic methods. It also considers for the first time the role of women in reflecting taste for thearts of Spain. It is richly illustrated with 17 colour and 54 black and white illustrations. NIGEL GLENDINNING is Emeritus Professor of Spanish and Fellow of Queen Mary University of London. HILARY MACARTNEY isHonorary Research Fellow of the Institute for Art History, University of Glasgow. Contributors: NIGEL GLENDINNING, HILARY MACARTNEY, JEREMY ROE, SARAH SYMMONS, MARJORIE TRUSTED, ENRIQUETA HARRIS FRANKFORT

目次

British and Irish Interest in Hispanic Culture - Nigel Glendinning Cross-Cultural Contacts with Spain: A Broad Perspective - Nigel Glendinning Mantillas, Majas, Murillo and Moors: A Feminine Perspective on Spanish Art from Ann Fanshawe to Gwen John - Sarah Symmons Customs Books and Sales Catalogues: A Study of the Importation of Spanish Paintings into Britain - Jeremy Roe Collectors of Spanish Paintings - Nigel Glendinning Sellers and Dealers - Nigel Glendinning Access to Collections of Spanish Art in Britain and Ireland in the Eighteenth and Nineteenth Centuries - Marjorie Trusted Writing the History of Spanish Art in Ninetenth-Century Britain and Ireland - Hilary Macartney The Reproduction of Spanish Art - Hilary Macartney Aesthetics and Prejudice: Changing Attitudes to Spanish Art - Nigel Glendinning The Catholic Question: Attitudes to Roman Catholicism in Nineteenth-Century Britain and Ireland and their Impact on the Reception of Spanish Art - Hilary Macartney The Murillo/Velazquez Debate: Aspects of the Critical Fortunes of Murillo and Velazquez in Nineteenth- and Early Twentieth-Century Writing on Spanish Art in Britain and Ireland - Hilary Macartney The 'Terrible Sublime': Ribera in Britain and Ireland - Nigel Glendinning Reception of Zurbaran in Britain and Ireland - Nigel Glendinning The Fortunes of Goya: His Reception in Britain and Ireland - Nigel Glendinning Sir William Stirling Maxwell and the History of Spanish Art - Enriqueta Harris Murillo in Britain - Enriqueta Harris El Greco's 'Fortuna Critica' in Britain - Enriqueta Harris

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