Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties
著者
書誌事項
Avant-garde to new wave : Czechoslovak cinema, surrealism and the sixties
（Berghahn on film）
Berghahn Books, 2011
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注記
Includes bibliographical references (p. [224]-237) and index
"Film & media studies"--Back cover
内容説明・目次
内容説明
The cultural liberalization of communist Czechoslovakia in the 1960s produced many artistic accomplishments, not least the celebrated films of the Czech New Wave. This movement saw filmmakers use their new freedom to engage with traditions of the avant-garde, especially Surrealism. This book explores the avant-garde's influence over the New Wave and considers the political implications of that influence. The close analysis of selected films, ranging from the Oscar-winning Closely Observed Trains to the aesthetically challenging Daisies, is contextualized by an account of the Czech avant-garde and a discussion of the films' immediate cultural and political background.
目次
Introduction
Chapter 1. Inspirations, Opportunities: Cultural and Historical Contexts
Chapter 2. Pavel Juracek's Josef Kilian (1963) and A Case for the Young Hangman (1969): From the Surreal Object to the Absurd Signifier
Chapter 3. Jiri Menzel's Closely Observed Trains (1966): Hrabal and the Heterogeneous
Chapter 4. Spoiled Aesthetics: Realism and Anti-Humanism in Vera Chytilova'sDaisies (1966)
Chapter 5. Flights From History: Otherness, Politics and Folk Avant-Gardism in Juraj Jakubisko's The Deserter and the Nomads (1968) and Birds, Orphans and Fools (1969)
Chapter 6. Back to Utopia: Returns of the Repressed in Jaromil Jires'sValerie and Her Week of Wonders (1970)
Chapter 7. Jan Svankmajer: Contemporary Czech Surrealism and the Renewal of Language
Conclusion
Bibliography
Index
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