Egyptian art : the complete plates from Monuments égyptiens & Histoire de l'art égyptien Ägyptische kunst : sämtliche tafln aus Monuments égyptiens & Histoire de l'art égyptien L'art égyptien : toutes les planches de Monuments égyptiens & Histoire de l'art égyptien
著者
書誌事項
Egyptian art : the complete plates from Monuments égyptiens & Histoire de l'art égyptien = Ägyptische kunst : sämtliche tafln aus Monuments égyptiens & Histoire de l'art égyptien = L'art égyptien : toutes les planches de Monuments égyptiens & Histoire de l'art égyptien
Taschen, c2014
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注記
"The copies used for printing belong to Niedersächsische Staats- und Universitätsbibliothek Göttingen, Universitätsbibliothek Heidelberg"--title page
"With a selection of original texts by Émile Prisse d'Avennes"--title page
内容説明・目次
内容説明
A lifelong devotee of ancient Egyptian and Oriental culture, the French author, artist, and scholar Achille-Constant-Theodore-Emile Prisse d'Avennes (1807-1879) is famed as one of the most influential Egyptologists, long before the discipline was even properly established.
Prisse first embarked on his explorations in 1836, documenting sites throughout the Nile Valley, often under his Egyptian pseudonym, Edris Effendi. Prisse's first publication of notes, drawings and squeezes (a kind of frottage) came in the form of Les Monuments egyptiens, a modest collection of 51 plates, but one met with considerable acclaim in both popular and intellectual circles.
Encouraged by his success, Prisse returned to Egypt in the late 1850s to expand his work. His subsequent, vast oeuvres, L'Histoire de l'art egyptien and L'Art arabe, offer a truly complete survey of Egyptian art. The albums cover architecture, drawing, sculpture, painting and industrial or minor arts, with sections, plans, architectural details and surface decoration all documented with utmost sensitivity and accuracy. Even when compared to the products of the great state-sponsored expeditions to Egypt of this period, Prisse's compendium remains the largest, singlehanded illustrated record of Egyptian art in existence.
This publication brings together for the first time the complete collection of Prisse's unsurpassed illustrations in a visual and archaeological feast of symmetry and complexity, mystery and opulence.
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