Sienese painting : the art of a city-republic (1278-1477)

著者

    • Hyman, Timothy

書誌事項

Sienese painting : the art of a city-republic (1278-1477)

Timothy Hyman

(World of art)

Thames & Hudson, 2022

New ed

  • : pbk

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注記

"First published in 2003 in the United Kingdom by Thames & Hudson Ltd."--T.p. verso

Includes bibliographical references (p. 234-236) and index

内容説明・目次

内容説明

An essential visual overview for students and readers with an interest in Sienese art, history and Renaissance culture. For two centuries, the city-republic of Siena was home to a brilliant succession of painters who created some of the greatest masterpieces of all time; an imagery unmatched in colouristic intensity and spatial experimentation. This overview, now revised and updated, is an essential introduction to this extraordinary artistic tradition. Taking a broadly chronological approach, it moves from the 14th-century Siena of Duccio, Simone Martini and the Lorenzetti brothers, to the 15th-century city of Sassetta and Giovanni di Paolo. Perceptive visual analysis of the distinctive styles and conventions of Sienese painting is combined with clear explanations of traditional techniques such as fresco and tempera. The works are also placed in their social and religious context through discussion of Siena's system of government, its civic consciousness, the importance of the Franciscan movement and the cults of local saints. An accomplished writer as well as a practising artist, Timothy Hyman brings breadth of knowledge and experience to this extensively illustrated book, brilliantly conveying his personal enthusiasm for Sienese art.

目次

Introduction: 'An Art Born Amidst City Streets': The Image of the City 1. Duccio and the Religion of the Commune The Expanded Icon Pisans and Parisians The Maesta Narrative and Predella 'From Greek, Back into Latin' 2. Simone Martini: 'The Sweet New Style' In the French High Fashion The Montefiore Chapel and Franciscan Narrative Simone in Siena 1328-33 The Guidoriccio and Barna Controversies With Petrarch in Avignon: 'il mio Simon' 3. Pietro Lorenzetti: Towards a Franciscan Art The Passion Cycle at Assisi 'A Sweetly Passionate Abandonment to Feeling' New Majesties Imagery of the Journey: Dante and Blessed Umilta A New Birth 4. Ambrogio Lorenzetti: The Golden Age Returns In the Service of Ben Comun The Image of a Just Society 'The Space of Vernacular Style' The Winter Wall The Cosmographer 5. After the Black Death (1348-1420) Bartolo and Taddeo: 'Patent Mediocrities'? The Fountain and the Font: Jacopo della Quercia 'Lowliness': Bernardino and the Sienese Saints 6. Second Flowering: Sassetta An Alternative Renaissance Francis, Jester of God An Agglomeration of Glimpses Verticality 7. Giovanni di Paolo: The Chessboard Journey Death and the Dante Illuminations The John the Baptist Cycles The Storyteller 8. The Lost Cause: From the Master of the Osservanza to Francesco di Giorgio Asciano and the Shared Idiom Towards Pienza Francesco di Giorgio and 'Mathematical Humanism' Discarding the 'Humble Style' Epilogue: The Rediscovery

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