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表紙
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投稿規定
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目次
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La portee du Sensus Communis: par l'interpretation lyotardienne de Critique de la faculte de juger
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2-15
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L'image et le reel-la pensee de l'art chez le premier Sartre
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16-29
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Heinrich Schenker's 'Intramusical' Hermeneutics : Through a Comparison of Hermeneutics of Hermann Kretzschmar and Wilhelm Dilthey
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30-43
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Reading and Music : Paul de Man's "The Rhetoric of Blindness" and "Shelley Disfigured"
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44-55
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Steve Reich's "Musical Process" : A Linkage with Postminimalist Art
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56-69
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The relation of body to floor, wall and ceiling in Trisha Brown's dance
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70-83
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Authentic Fashion : The Discourse on Fashion Plates in Godey's Lady's Book
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84-97
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II significato di plasticita in Contemplazioni di Arturo Martini
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98-111
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Turner's pictorial composition derived from the comparison between British and French landscapes
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112-125
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第六十回美学会全国大会報告
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126-131
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"Neu-deutsche Schule" und "historisches Konzert" von Carl Riedel (1827-1888)(Abstracts of the Papers Read at the 60th National Congress)
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132
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Una riflessione sul trittico di Mantegna a San Zeno(Abstracts of the Papers Read at the 60th National Congress)
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133
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Arte povera and the urban space : from a case of Turin in the nineteen-sixties(Abstracts of the Papers Read at the 60th National Congress)
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134
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William Shenstone on Gardens : Eighteenth-Century Theories of Gardening as Art(Abstracts of the Papers Read at the 60th National Congress)
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135
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The Flemish Influence on the Early Mural Paimting of Ghirlandaio, Sacra Conversazione at Sant'Andrea a Brozzi(Abstracts of the Papers Read at the 60th National Congress)
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136
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Precise Notation and the Invention of "Primitiveness" : On the Role of Phonograph in Bartok's Research of Folk Music(Abstracts of the Papers Read at the 60th National Congress)
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137
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The Verse of Actaeon : Giordano Bruno and the Petrarchan Tradition(Abstracts of the Papers Read at the 60th National Congress)
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138
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Book as space/character as architecture : from l'Architecture consideree sous le rapport de l'art, des moeurs et de la legislation by Claude-Nicolas Ledoux(Abstracts of the Papers Read at the 60th National Congress)
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139
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From Overlapping Dialogue to Overlapping Narrative : The Pluralism of "Sound and Narrative" in the Films of Robert Altman(Abstracts of the Papers Read at the 60th National Congress)
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140
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The interpretation of media technology in Bergsonism(Abstracts of the Papers Read at the 60th National Congress)
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141
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Wurdigung der Symphonischen Dichtung in der Pro-Liszt-Partei : Meinungsverschiedenheiten bezuglich der Frage nach dem Erbe der Symphonie Beethovens(Abstracts of the Papers Read at the 60th National Congress)
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142
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The Standardizations of Office Furniture : The Standardization of Office "Furniture" by Joichi Kogure and The Standardization of "Office" Furniture within the Theory of Office Management(Abstracts of the Papers Read at the 60th National Congress)
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143
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Pour une comprehension integrale de l'hermeneutique de Ricoeur : le temps et l'imagination dans l'interpretation(Abstracts of the Papers Read at the 60th National Congress)
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144
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Charles Darwin's Photography : A Study of The Expression of Emotions in Man and Animals (1872) viewed in Light of the History of Photograpy(Abstracts of the Papers Read at the 60th National Congress)
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145
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Emergence of the Theory on Aisthesis in Plato's Phaedo(Abstracts of the Papers Read at the 60th National Congress)
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146
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On the Representation of New York in Georgia O'Keeffe's Manhattan(Abstracts of the Papers Read at the 60th National Congress)
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147
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The Evolution of Aesthetic Qualities or an Attempt at a History of Aesthetic Perception(Abstracts of the Papers Read at the 60th National Congress)
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148
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Succession of Kotoba and Renewal of Kokoro : Several Aspects of Honkadori in the Medieval Waka(Abstracts of the Papers Read at the 60th National Congress)
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149
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La nouvelle interpretation de <<The Family of Man>> (en version originale au MoMA en 1955) apres sa restauration des annees 90(Abstracts of the Papers Read at the 60th National Congress)
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150
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Der Ursprung der soziologischen Gedanken um Musik bei Adorno : das Expose zur Neugestaltung der <<Musikblattern des Anbruch>>(Abstracts of the Papers Read at the 60th National Congress)
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151
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Reconsidering Aesthetic Ideology(Abstracts of the Papers Read at the 60th National Congress)
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152
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"Unconscious" in Heinrich Schenker's music theory : Through the examination of the early reception(Abstracts of the Papers Read at the 60th National Congress)
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153
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A Study on the Chronology of Piero della Francesca's Mid-career and the Dating of His Legend of the True Cross(Abstracts of the Papers Read at the 60th National Congress)
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154
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Comparison of Different Concepts of Similarities in the Analysis of Atonal Music(Abstracts of the Papers Read at the 60th National Congress)
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155
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The genesis of the method of manipulating puppets at the Bunraku Theater(Abstracts of the Papers Read at the 60th National Congress)
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156
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The Formation of Movement, the Form Lost : Essay on "Bird in space" by Brancusi(Abstracts of the Papers Read at the 60th National Congress)
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157
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A View for Francis Bacon's <<Study after Velazquez's Portrait of Pope Innocent X>> (1953)(Abstracts of the Papers Read at the 60th National Congress)
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158
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Uber die Moglichkeiten des Korper-Ausdrucks, dargestellt von Yukio Mishima in seiner Aktionslehre und Bushido Interpretation(Abstracts of the Papers Read at the 60th National Congress)
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159
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La musique existante : signification metaphysique du <<traite de la musique>> chez Jankelevitch(Abstracts of the Papers Read at the 60th National Congress)
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160
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Malen mit farbigem Licht : L. Hirschfeld-Macks Farbenlichtspiele(Abstracts of the Papers Read at the 60th National Congress)
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161
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Representations of "Japan" on Japanese exhibition at the New York World's Fair, 1939(Abstracts of the Papers Read at the 60th National Congress)
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162
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The Status of Hearing in the Tradition of Modern Philosophical Thought(Abstracts of the Papers Read at the 60th National Congress)
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163
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Role of tea ceremony in propagation of Christianity : on the light and the shade in an architectural space(Abstracts of the Papers Read at the 60th National Congress)
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164
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ミース・ファン・デル・ローエにおける生命的分節の問題(東部会平成二一年度第一回例会,例会・研究発表会要旨)
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165
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オランダ美術における聖と俗 : 静物画の勃興をめぐって(東部会平成二一年度第一回例会,例会・研究発表会要旨)
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165-166
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斎藤与里《塩原錦秋》における南画的表現(西部会第二七三回研究発表会,例会・研究発表会要旨)
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166-167
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社会美について(西部会第二七三回研究発表会,例会・研究発表会要旨)
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167-168
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単一瞬間、単一焦点 : 或るメタ写真によって解明される写真的知覚構造(東部会平成二一年度第二回例会,例会・研究発表会要旨)
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168-169
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山水と表象 : その宗教的機能を中心に(東部会平成二一年度第二回例会,例会・研究発表会要旨)
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169-170
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ディオン・クリュソストモス『トロイア陥落せず』における神話伝承と「真実」の問題 : 弁論術から歴史フィクションへ(西部会第二七四回研究発表会,例会・研究発表会要旨)
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170-171
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琳派試論 : 琳派と能楽(西部会第二七四回研究発表会,例会・研究発表会要旨)
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172
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比喩を描く : 余白挿絵詩篇に見られる本文と挿絵の構造(東部会平成二一年度第三回例会,例会・研究発表会要旨)
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172-173
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コレッジョ作<ユピテルの愛>連作と一六世紀エロティック絵画の潮流 : マントヴァ宮廷における古代と近代(東部会平成二一年度第三回例会,例会・研究発表会要旨)
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173-174
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ノヴァリナの演劇における供儀と祝祭 : 『舞台』をめぐって(西部会第二七五回研究発表会,例会・研究発表会要旨)
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174-175
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「ツアー・パフォーマンス」とは何か : 《山口市営P》と《サンシャイン63》を例として(西部会第二七五回研究発表会,例会・研究発表会要旨)
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175-176
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『美学』第59巻第1号〜第2号(通巻第232号〜233号)総目次
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177
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『美学』第60巻第1号〜第2号(通巻第234号〜235号)総目次
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178
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学会消息
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179-180
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訂正
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181
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編集後記
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181
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編集後記
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182
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奥付
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182
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欧文要旨
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191-187
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学会の諸連絡先
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186
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Titles of the Papers Read at the 60th National Congress
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185-184
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第60回美学会全国大会発表要旨(タイトル)
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184-183
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CONTENTS
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BACKCOVER
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