Conjuring culture : biblical formations of black America

In Conjuring Culture, Theophus Smith provides an innovative, interdisciplinary interpretation of the formation of African-American religion and culture. Smith argues for the central role in black spirituality of "conjure" - a magical means of transforming reality. Smith shows that the Bible, the sacred text of Western civilization, has in fact functioned as a magical formulary or sourcebook for African-Americans. Beginning in slave religion, and continuing in folk practice and literary expression, the Bible provided African-Americans with ritual prescriptions for prophetically re-envisioning and, therein, transforming history and culture. In effect, it functioned as a "conjure book" for prescribing practices of healing and harming in response to the vicissitudes of black experience, and for invoking Divine and extraordinary powers in the conduct of social change and freedom movements. Typical prescriptions entail biblical symbols, themes, and figures like Moses, Exodus, Promised Land, and Suffering Servant - figures that have crucially formed and reformed American culture as a whole. In addition to religious and political phenomena. Smith explores black aesthetics as expressed in music, drama, folklore, and literature. The concept of conjure discloses an indigenous and still vital spirituality with implications for reformulating the next generation of black studies and black theology. Indeed, the book introduces "conjuring culture" as a new conceptual paradigm for understanding Western religious and cultural phenomena generally.

In Conjuring culture, Theophus H. Smith attempts to construct a more adequate analysis of African-American culture by using concepts derived from that culture. He bases his critique on the central concept of "conjure", and contends that Biblically-based themes, stories, and especially typology have crucially formed African-American culture as they have been simultaneously reformed and deployed by African-Americans.