CiNii
Notice of renewal procedure of Institution authentication service
塩谷 尚子
パラゴーネ = Paragone (5), 93-97, 2018-03
索南 卓瑪
… There are many different Buddhist statues in the monasteries of East Asian, yet after Buddhism began in India in the sixth century B.C, there were no Buddhist statues for a long time, It was not until the emergence of Mahayana Buddhist in the first century that Buddhist statues began to be made; … for several centuries this Buddhist art took the from of Exoteric Buddhist. …
東アジア文化交渉研究 = Journal of East Asian cultural interaction studies (11), 413-432, 2018-03
IR
姚 崇新 , 濱田 瑞美
… The Quanyin (Avalokitesvara) belief system and Quanyin-related art developed earlier in Khotan than in other Central Asian regions. … Khotan had its own Quanyin belief system and related art until around the 7th century. … From the 8th century onwards, Khotanese Quanyin worship and related art were greatly changed thanks to the tabilization of the Tang Empire and its stronger presence in Central Asia. …
美術研究 = The bijutsu kenkiu : the journal of art studies (422), 1-28, 2017-08-09
IR DOI
田中 公明
… The Sanskrit manuscript of the Aṣṭasāhasrikā-Prajñāpāramitā exhibited at the exhibition "Indian Buddhist Art, From Indian Museum, Kolkata" held at Tokyo National Museum from 17 March to 17 May 2015 is worth noting because of the inclusion of many illustrations of esoteric Buddhist deities. …
東洋文化研究所紀要 169, 446-433, 2016-03
佐伯 真一
… It can be considered that these kinds of ikusagami are different from the ikusagami depicted in the war chronicles with their offerings of heads taken in battle.Next, ikusagami are often found in the so-called books of military tactics including the Heiho Hijyutsu Ikkansho (Secret Art of Tactics) , thought to have been compiled in the Kamakura period. … Marishiten (a tutelary deity of samurais) and other various Shintoist and Buddhist deities can also be listed. …
国立歴史民俗博物館研究報告 = Bulletin of the National Museum of Japanese History 182, 7-28, 2014-01
GENJYO Masayoshi
Art research 12(-), 83-98, 2012-03
皿井 舞
… This is difficult due to the complicated establishment history of the Shingon esoteric temple Jingoji. … This image of Yakushi Nyorai derives from an exoteric Buddhist tradition, not an esoteric one. …
美術研究 = The bijutsu kenkiu : the journal of art studies (403), 1-24, 2011-03-29
Sekine Shunichi
Studies of San'in region (3), 236-226, 2010-12
… Tomishima Yoshiyuki, the author of this book and an architectural historian, is a noteworthy scholar who has also published a succession of works on art history and subjects from other related academic fields. … In the work Tomishima establishes a new architectural methodology that includes within its purview not only architectural space itself but also the Buddhist sculptures and paintings that appear within those architectural spaces. …
美術研究 = The bijutsu kenkiu : the journal of art studies (401), 57-66, 2010-08-30
The journal of art studies (401), 57-66, 2010-08
… The unusual feature of the Kami-Daigo temple complex is the parallel display of the exoteric Buddhist deity Yakushi with the esoteric Buddhist deities known as the Godaimyoo. … This "mélange" that supercedes the framework of exoteric/esoteric had not previously been seen in temples. …
美術研究 = The bijutsu kenkiu : the journal of art studies (398), 1-30, 2009-08-31
Murata Shinichi
『八幡宇佐宮御託宣集』には、八幡大菩薩(はちまんだいぼさつ)に対する「本地幽玄」という認識が、御体に関する注釈の記述として示されている。これについて、歌論等の芸術的観念に限定されない幽玄という語の広がりと、本地と幽玄が結びつく八幡信仰の言説の中世的展開を、認めることができる。また、「本地幽玄」という論理は、託宣を保証すると記述させる御体と関わって示されることから、託宣を支える神学としてあったと考え …
Japanese Literature 57(4), 54-65, 2008
J-STAGE
… The Nara national Museum held an exhibition entitled Ko-Mikkyô : The Incipient Stages of japanese Esoteric Buddhism from July 26 through September 4, 2005. … This epic-making exhibition was the first to present the arts of so-called zômitsu, the incipient from of esoteric Buddhism prevalent in the Nara period before Kûkai brought the more systematized from of esoteric Buddhism, known as junmitsu, or pure esoteric Buddhism, from China. …
美術研究 = The bijutsu kenkiu : the journal of art studies (390), 51-53, 2006-12-22
白川 琢磨
福岡県豊前市を中心とする旧上毛郡一帯に展開する豊前神楽の特徴の一つは,勇壮な駈仙(ミサキ)舞であり,毛頭鬼面で鬼杖を手にした駈仙と幣役との迫力ある「争闘」が見所となっており,また幼児を駈仙に抱かせる事で無病息災を祈る民間信仰も付随している。ところが,現地の神楽講には,この争闘を天孫降臨に際して猿田彦が天鈿女を「道案内」している場面だという伝承が存在し,観衆の実感との乖離を生み,実感との余りの落差か …
Bulletin of the National Museum of Japanese History 132, 209-242, 2006-03
MANABE Shunsho
… Considering the representation of Buddhist icons and the theoretical concepts underlying them is important in all topics making up the framework of Buddhist art. … Buddhist imagery that was born in India eventually crossed the Himalayas, was carried through Central Asia and into China, and then introduced to Japan via the Korean peninsula. …
Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 54(2), 812-821,1318, 2006
安元 剛
The journal of Buddhist iconography (23), 69-99,図巻頭2p, 2004-12
Takakura M.
Journal of Esoteric Buddhism 1995(190), L87-L59, 1995
長岡 龍作
… However, investigation of the kanpu (a governmental edict) which states that the danjō (platform for Esoteric Buddhist rituals) was transferred from Shinganji to Takaosanji (the temple at Mount Takao that preceded Jingoji) in Tenchō 1 (824) shows that the temple itself was not moved. …
美術研究 = The bijutsu kenkiu : the journal of art studies (359), 1-27, 1994-03-30
Journal of Esoteric Buddhism 1994(187), L121-L89, 1994
Journal of Indian and Buddhist Studies (Indogaku Bukkyogaku Kenkyu) 39(2), 994-990, 1991