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- 奈尾 信英
- 東京大学大学院工学系研究科建築学 東京理科大学建築学科
書誌事項
- タイトル別名
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- The Drawing Theory of the Pre-perspective in the Early Renaissance
- ルネサンス ショキ ノ ゼン エンキンホウテキ サクズホウ マリアーノ タッコラ ノ ギジュツロン ニ オケル ズテキ ヒョウゲン
- —The Drawing Method on Mariano Taccola's <I>De ingeneis</I>—
- ―マリアーノ・タッコラの『技術論』における図的表現―
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抄録
This paper is intended as an investigation of De ingeneis by Mariano Taccola, who is one of the artisans-engineer in the Early Renaissance. The purpose here is to explore a little further into the Pre-perspective. I consider the subject under the following heads : (1) the drawing method in De ingeneis, (2) The theory of the drawing of staircase in folio 73r. These analysis lead to the conclusion that (1) the tower was drawn looks like perspective drawings and the architecture was drawn looks like axonometric drawings, (2) Taccola drew the staircase by the Preperspective's theory. It follows from what has been said that Taccola, who had Brunelleschi's associates, wasn't used the ‹costruzione leggittima›.
収録刊行物
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- 図学研究
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図学研究 36 (2), 3-8, 2002
JAPAN SOCIETY FOR GRAPHIC SCIENCE
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詳細情報 詳細情報について
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- CRID
- 1390001204635347968
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- NII論文ID
- 10008837183
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- NII書誌ID
- AN00125240
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- ISSN
- 18846106
- 03875512
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- NDL書誌ID
- 6209158
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- 本文言語コード
- ja
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- データソース種別
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- JaLC
- NDL
- Crossref
- CiNii Articles
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- 抄録ライセンスフラグ
- 使用不可